without a genius, nay without learning or much reading. This must necessarily be of great use to all those who confess they never read, and of whom the world is convinced they never learn. Moliere observes of making a dinner, that any man can do it with money, and if a professed cook cannot do it without, he has his art for nothing: the same may be said of making a poem, it is easily brought about by him that has a genius, but the skill lies in doing it without one. In pursuance of this end, I shall present the reader with a plain and certain recipe, by which any author in the bathos may be qualified for this grand performance.
For the Fable.
Take out of any old poem, history-book, romance, or legend (for instance, Geoffrey of Monmouth or Don Belianis of Greece) those parts of the story which afford most scope for long descriptions: put these pieces together, and throw all the adventures you fancy into one tale. Then take a hero, whom you may choose for the sound of his name, and put him into the midst of these adventures: there let him work for twelve books; at the end of which you may take him out, ready prepared to conquer or to marry; it being necessary that the conclusion of an epick poem be fortunate.
To make an Episode.
Take any remaining adventure of your former collection, in which you could no way involve your hero: or any unfortunate accident, that was too good to be thrown away; and it will be of use, applied to any other person, who may be lost and evaporate in
