The artistic story must have perspective. One which lacks this quality is like a diagram; it is not a picture. There must be relative values, and the "witching glamour of the past." Give the old stories their appropriate setting in time and place. Let the modern story be the central figure against the universal background of truth—a background which will soften its sharper outlines, and mellow its cruder tones. Preserve in the classic the classical spirit, as well as the classical form—that classical spirit which kindles the fancy and stirs the imagination. Let the hearers see their heroes through the vista of vanishing years.
Technique is a necessary part of any artistic production. Note how carefully the artist selects his brushes and prepares his palette. The story-teller should do no less. As the brush of the artist must, to a certain extent, influence the effect of his colors, so the voice and manner of the story-teller must, to a certain degree, affect the presentation of the story. Even the manner of dress has its influence. And so, with the example of the artist before us, let us choose these minor tools of our art with the single purpose of
