or outline. What is its climax? What are the essential facts leading to this climax? How do they follow, in order to bring about the final surprise or culmination?
Having this outline well fixed in mind, begin to fill in details. Note the bits of wit or of wisdom which strengthen the story; the apt phrases or happy turns of expression which exactly fit the thought. Memorize these, and these only. Think the story over, again and again, until it becomes a personal possession—something which you know. Then begin formulating it. You can do this mentally, inaudibly at first, following the general mode of expression of the written story, so that you will tell it in a manner which conforms to the literary style of the author. This is not difficult, for if you have selected a well-written story, the style in which it is written will be in keeping with its character and will seem the natural mode of expression. This assimilation of style as well as of substance takes the place of literal memorizing. It allows full liberty in the telling, while memorizing only cramps and hampers.
Repeat the story mentally until you not only know its substance as a personal experi-
