you to know that Peer Gynt is a real person, who lived in Gudbrandsdal, probably at the end of last, or beginning of this, century; but of his exploits not much more is known than is to be found in Asbjörnsen's Norwegian Fairy Tales, in the section Pictures from the Mountains. Thus I have not had very much to build upon; but so much the more liberty has been left me. It would interest me to know what Clemens Petersen thinks of the work." What Clemens Petersen did think we shall presently learn.
On October 18 Ibsen despatched from Sorrento the remainder of his manuscript, and the book was published on November 14. It has often been pointed out (by myself among others) as a very remarkable fact that two such gigantic creations as Brand and Peer Gynt should have been given to the world in two successive years; but on examination the marvel somewhat dwindles. Peer Gynt did not follow so hot-foot upon Brand as the bare dates of publication would lead us to suppose. Brand was written in the summer of 1865, Peer Gynt (as we have seen) in 1867; so that the poet's mind had lain fallow for a whole year (1866) between the two great efforts. It was a long delay in the publication of Brand that made its successor seem to tread so close upon its heels.
One or two other references to the origin of Peer Gynt may be found in Ibsen's letters. The most important occurs in an autobiographical communication to Peter Hansen, dated Dresden, October 28, 1870: "After Brand came Peer Gynt, as though of itself. It was written in Southern Italy, in Ischia and at Sorrento. So far away from one's readers one becomes reckless. This poem contains much that has its origin in the circumstances of my own youth. My own mother—with the necessary
