chapel, embracing both the centre aisle and the side aisles, and would rise considerably above the apex of the roof. The space included between the curves is about 36 feet wide, which is a wider span than would likely be undertaken at this period. The curved form of the top of the west wall of the choir may, therefore, be dismissed as an indication of a probable vault.
Attention has already been drawn to the usual mode of finishing the barrel vaults of churches at this period (see ante, page 3), viz., by the introduction of four solid walls (with small apertures) at the four sides of the crossing on which the barrel vaults of the various arms of the churches were stopped. This system has, so far as the structure is completed, been adopted at Rosslyn, the wall on the east side of the crossing
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Fig. 1093.—The Collegiate Church of Rosslyn. Details.
being built so as to receive the barrel vault of the choir. There seems to be no reason why the same plan should not have been intended to be used for the completion of the other sides of the crossing. The edifice would then be in harmony with the other collegiate churches of the period, and may have been intended to be completed with a central tower.
The building shown by dotted lines at the west end is a vestry and organ chamber erected a few years ago.
The sculpture with which the chapel is so profusely adorned generally represents Scriptural scenes, and has been very minutely described by the Rev. Mr. Thompson in his Guide to Rosslyn Chapel.
One of the most unique examples amongst the remarkable decorations of the edifice is the ornamentation of the south pillar of the east aisle,
