in sculpture. Its form (Fig. 1303) is peculiar, having, in addition to the usual recessed arch, a sloping gable-shaped moulding, which encloses the design on top, and is continued perpendicularly down each side. The space between the arch and the enclosing moulding is divided into nine panels, each containing a distinct carving of figures. That in the apex represents God the Father, holding between his knees a cross bearing a figure of the Crucifixion. Each of the panels at the sides contains one or two figures of angels waving censers, and saints holding scrolls. The wall
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Fig. 1304.—Priory Church of St. Clement. Effigy of Alexander M'Leod of Harris. v
at the back of the arch is also divided into panels, containing sculptures in three rows. In the upper row the panels comprise angels censing with a star in the centre, and at each side an angel holding a candle. In the central row the chief panel contains the Virgin and Child, supported by a bishop or abbot on each side, one of whom holds a skull. These figures are each enclosed in a Gothic canopy. The left panel shows the faint outline of a castle, and that on the right a galley (the M'Leod arms). The third row exhibits several panels. That on the
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Fig. 1305.—Priory Church of St. Clement.
Effigy in South Transept.
left is a hunting scene, a knight with sword and spear, followed by attendants holding dogs in leash. The next panel contains three stags, well carved. To the right of this is a panel representing an angel holding up a pair of scales to weigh the souls of the departed, in which process he is interfered with by a demon. A similar scene is carved on one of the pier caps in the choir of Iona Cathedral (see Fig. 985).
To the right is a long panel containing the following inscription in Gothic letters:—
Hic · loculus · cōposuit · · · · Allexāder · filius · Vilm̄i · Mac · Clod · dn̄o · de · dūvegan · Anno · dn̄i · M^o · CCCCC^o · XXVIII^o
The meaning of this apparently is that Alexander, son of William MacLeod of Dunvegan, made this tomb A.D. 1528.
