with the representation of two angels raising the host and other ornaments, and the text (John vi. 54-56) below the cornice.
Caro · mea · vere · est · cib · et · sangvis · me · vere · ē · pot · q mādvcat · meā · carnē · t̄ · bibit · mev̄ · sāgvinē · vivet · ī · eternv̄.
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Fig. 1339.—Cullen Church.
Carved Wooden Pillar.
It is further stated that the ambry and altar-piece were unfortunately reconsigned from view. A sacrament house, answering somewhat to the above description of the ambry, is, however, now visible in the north wall of the choir, to the east of the monument (Fig. 1335). The design shows the two angels supporting a monstrance, and is very similar to, but much simpler than, the sacrament house at Deskford, "which bears to have been erected by Alexander Ogilvie, and his second wife, Elizabeth Gordon," of which an illustration is given below.
The east end of the church has evidently been a good deal altered, as is apparent from the south wall (see Fig. 1333), where doorways are visible, which have been built up, and windows introduced above.
The coats of arms of the Gordons and Ogilvies on the exterior correspond with those in the interior. The choir contains a large east window divided by three mullions, which cross one another in curved branches, forming plain tracery in the arch-head (Fig. 1336).
On the south side of the choir is still preserved a fine example of a laird's pew (see Fig. 1336). It is in two stories, the upper story (which forms a gallery) being supported on four solid square wooden pillars (Figs. 1337, 1338, and 1339), which are well carved with numerous ornaments of Renaissance work, and bear the date of 1608. The upper portion or gallery is also old, and contains some good carved woodwork of the post-Reformation period. It is still used as the proprietor's pew, and is occupied by the Earl of Seafield, whose mansion of Cullen House is close to the church. The lower story is occupied by ordinary pews.
