dowed with the same spirit in her human form as that which rustles in the leaves; or that she had emerged through the pebbly bottom of a fountain, a water-nymph, to play and sparkle in the sunshine, flinging a quivering light around her, and suddenly disappearing in a shower of rainbow drops.
As the fountain sometimes subsides into its basin, so in Miriam there were symptoms that the frolic of her spirits would at last tire itself out.
"Ah! Donatello," cried she, laughing, as she stopped to take a breath; "you have an unfair advantage over me! I am no true creature of the woods; while you are a real Faun, I do believe. When your curls shook just now, methought I had a peep at the pointed ears."
Donatello snapped his fingers above his head, as fauns and satyrs taught us first to do, and seemed to radiate jollity out of his whole nimble person. Nevertheless, there was a kind of dim apprehension in his face, as if he dreaded that a moment's pause might break the spell, and snatch away the sportive companion whom he had waited for through so many dreary months.
"Dance! Dance!" cried he joyously. "If we take breath, we shall be as we were yesterday. There, now, is the music, just beyond this clump of trees. Dance, Miriam, dance!"
They had now reached an open, grassy glade (of which there are many in that artfully constructed wilderness), set round with stone seats, on which the aged moss had kindly essayed to spread itself instead of cushions. On one of the stone benches sat the musicians,
