so wrought upon the individual that its service became the overmastering passion of life, and in that great oration of Pericles, where he told how the Athenian ideal inspired the citizens so that they gave their bodies for the commonwealth, it seems to have been conceived of as a kind of oversoul, a being made up of immortal deeds and heroic spirits, influencing the living, a life within their life, molding their spirits to its likeness. It appears almost as if in some of these ancient famous communities the national ideal became a kind of tribal deity, that began first with some great hero who died and was immortalized by the poets, and whose character, continually glorified by them, grew at last so great in song that he could not be regarded as less than a demi-god. We can see in ancient Ireland that Cuchulain, the dark sad man of the earlier tales, was rapidly becoming a divinity, a being who summed up in himself all that the bards thought noblest in the spirit of their race; and if Ireland had a happier history no doubt one generation of bardic chroniclers after another would have molded that half-mythical figure into the Irish ideal of all that was chivalrous, tender, heroic, and magnanimous, and it would have been a star to youth, and the thought of it a staff to the very noblest. Even as Cuchulain alone at the ford held it against a host, so the ideal would have upheld the national soul in its darkest hours, and stood in many a lonely place in the heart. The national soul in a theocratic State is a god; in an
