Sonnets how clear and pure his voice was, and what skill he had in the art of music. Noble gentlemen, such as the Earl of Leicester and Lord Oxford, had companies of boy-players in their service as part of their household. When Leicester went to the Netherlands in 1585 he brought with him a certain “Will” described as a “plaier.” Was this Willie Hughes? Had he acted for Leicester at Kenilworth, and was it there that Shakespeare had first known him? Or was he, like Robin Armin, simply a lad of low degree, but possessing some strange beauty and marvellous fascination? It was evident from the early sonnets that when Shakespeare first came across him he had no connection whatsoever with the stage, and that he was not of high birth has already been shewn. I began to think of him not as the delicate chorister of a Royal Chapel, not as a petted minion trained to sing and dance in Leicester's stately masque, but as some fair-haired English lad whom in one of London's hurrying streets, or on Windsor’s green silent meadows, Shakespeare had seen and followed, recognising the artistic possibilities that lay hidden in so comely and gracious
