His translation to Saint Evroul.
Orderic writes his epitaph.
Its character. not allowed to sleep for ever in the foreign soil of Chester. He had a brother Arnold, a monk of Saint Evroul, zealous in all things for his house, who had begged endless gifts for it from his kinsfolk in England, Sicily, and elsewhere. Some years after Robert's death, Arnold came to England, and, by the leave of Bishop Robert of Chester or Coventry—Bishop of the Mercians in the phrase of the monk who was born in his diocese—translated the body of Robert to the minster of Saint Evroul. There a skilful painter, Reginald surnamed Bartholomew—most likely a monk who had taken the apostolic name on entering religion—was employed to adorn the tomb of Robert and the arch which sheltered it with all the devices of his art.[1] And the English monk Vital—we know him better by his English and worldly name—was set to compose the epitaph of one who had in some sort, like himself, passed from Mercia to Saint Evroul.[2] In his history Orderic deemed it his duty to brand Robert's dealings with the Welsh as breaches of the natural law which binds man to man.[3] And it may be that something of the same feeling peeps out in the words of the epitaph itself, which prays with unusual fervour for the forgiveness of Robert's sins.[4] Yet in the verses which record his acts, his campaigns against the Briton appear as worthy exploits alongside of his zeal for holy things and his special love for the house of Ouche. It is not;
Est nimis ipse reus; terge, precor, facinus;"
</poem>
with four more lines to the same effect.]
- ↑ Ord. Vit. 671 B. "Rainaldus pictor, cognomento Bartolomæus, variis coloribus arcum tumulumque depinxit."
- ↑ Ib. "Vitalis Angligena satis ab Ernaldo rogatus epitaphium elegiacis versibus hoc modo edidit."
- ↑ See N. C. vol. iv. p. 490.
- ↑ Ord. Vit. 672 A; <poem> "Eripe tartareis Robertum, Christe, camœnis [caminis
