expression, of the Pythia, and his explanation of the change of medium is purely natural, being based upon the general tendency towards prose which early became evident in Greek Literature and Philosophy. Besides, the matters on which the oracle is now consulted are not such as to require the mystery and magnificence of verse.[1] "In these cases it would be absurd to employ the diction, metre, and imagery of poetry, when what is required is a simple and concise reply. It would be like a vain Sophist to turn an oracle finely for the sake of show. The Pythian priestess, moreover, is noble and virtuous in her own character, and when she mounts the tripod and approaches the god, she is more intent on truth than appearance, more regardful of the god's message than of the praise or blame of men."[2] "In old days," continues Theon, "were not wanting those who accused the oracles of uncertainty and ambiguity, and there are now those who accuse them of excessive simplicity. But the ways of such persons are childish and silly: for just as children take more delight in looking at rainbows and aureoles and comets than at the sun and moon, so do these desire enigmas and allegories and metaphors to fill the heart of man with wonder and mystery. In their ignorance of the true reason of the change (in the oracle's mode of expression), they
