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This tract is in the form of a letter addressed to Terentius Priscus, and although the person speaking as "I" in the dialogue is alluded to as "Lamprias"[1]*
- ↑ Lamprias. Tho writer of this letter to "Terentius Priscus" is addressed by the name of "Lamprias" in the course of the dialogue (413 E). This Terentius is not mentioned elsewhere by Plutarch, but one may venture the guess that he was one of the friends whom, as in the caso of Lucius the Etrurian, and Sylla the Carthaginian, Plutarch had met at Rome (Symposiacs, 727 B). Sylla and Lucius, whom we know to have been on intimate terms with Plutarch, are interlocutors in the dialogue De Facie in Orbe Lunæ, and one of them uses the same form of address to the writer of that dialogue as is employed by Ammonius in this passage (940 F). There is not the faintest doubt as to the genuineness of either of these two dialogues, and it is, therefore, reasonable to suppose that Plutarch, desiring perhaps to pay a compliment to a relative, veils his own personality in this way: "Omnium familiarium et propinquorum ante ceteros omnes Lampriam fratrem, et ejusdem nominis avum Lampriam, eos imprimis fuisse qui Plutarchi amicitiam memoriamque obtinuerint, nobis apparet" (De Plutarchi Familiaribus—Chenevière). He pays a similar compliment to his friend Theon, who sums up and concludes the argument of the De Pythiæ Oraculis. (For the closeness of Theon's intimacy with Plutarch, see especially Consolatio ad Uxorem, 610 B, and Symposiacs, 725 F.) Cf. Gréard's La Morale de Plutarque, p. 303: "Plutarque a ses procédés, qu'on arrive à connaitre. D'ordinaire ils consistent à accorder successivement la parole aux défenseurs des systèmes extrémes et à réserver la conclusion au principal personnage du dialogue. Or ce personnage est presque toujours celui qui a posé la thèse; et le plus souvent il se trouve avoir avec Plutarque lui-*mème un lien de parenté."—Plutarch delights to such an extent to bring his friends into his works, that it has even been suggested that no work is authentic without this distinguishing mark. Readers of Plutarch know that one characteristic of his style is the avoidance of hiatus, and that he puts himself to all kinds of trouble to secure this object. In this connexion, Chenevière remarks: "Mirum nobis visum est quod, ne in uno quidem librorum quos hiatus causa G. Benseler Plutarcho abjudicavit, nullius amici nomen offenditur. Scripta autem quæ nullo hiatu fœdata demonstrat, vel amico cuidam dicata, vel nominibus amicorum sunt distincta." (The work by Benseler
