the front, at the end of a straight road that runs by a line of ragged poplars between mud flats made steel-bright with floods pitted by the soft, slow rain. There, past a church that lacks its tower, stand a score of houses, each hideous with patches of bare bricks that show like sores through the ripped-off plaster and uncovered rafters that stick out like broken bones. There are people still living here. A slouchy woman sits at the door of a filthy cottage, counting some dirty linen and waving her bare arm at some passing soldiers. And at another house there is a general store with strings of orange onions and bunches of herbs hanging from the roof, a brown gloom rich with garlic and humming with the flies that live all the year round in French village shops, a black cat rubbing her sleepiness against the lintel. It is in there that Chris is standing, facing across the counter an old man in a blouse, with a scar running white into the gray thickets
