women who have struggled and suffered. For this reason the Virgin Mary is very dear to me."
The first copy of Hagar was purchased by a gentleman from Chicago. A fine group of the Madonna with the infant Christ in her arms, and two adoring angels at her feet, attests the sincerity of her admiration for the Jewish maiden. This last group has been purchased by the young Marquis of Bute, Disraeli's Lothair, for an altar-piece.
Among Miss Lewis's other works are two small groups, illustrating Longfellow's poem of Hiawatha. Her first, "Hiawatha's Wooing," represents Minnehaha seated, making a pair of moccasins, and Hiawatha by her side, with a world of love-longing in his eyes. In the marriage, they stand side by side with clasped hands. In both, the Indian type of features is carefully preserved, and every detail of dress, etc., is true to nature. The sentiment is equal to the execution. They are charming hits, poetic, simple, and natural; and no happier illustrations of Longfellow's most original poem were ever made than these by the Indian sculptor.
A fine bust, also, of this same poet, is about to be put in marble, which has been ordered by Harvard College; and in this instance, at least, Harvard has done itself honor. If it will not yet open its doors to women who ask education at its hands, it will admit the work of a woman who has educated herself in her chosen department.
Miss Lewis has a fine medallion portrait of Wendell Phillips, a charming group of sleeping babies, and some other minor works, in her studio. At Rome, she is visited by strangers from all nations, who happen in the
