meant escape from a life that had already begun to cast long shadows. But her home people saw the thing in a very different light. In their opinion there was a wide gulf between the respectability of Broadwood House and the licentious freedom of Chelsea. Joe and Eliza were at one with Aunt Annie and Aunty Harriet in saying "No" to the proposal.
Mistress Mary, however, was now rising sixteen with a rapidly developing character of her own. Therefore she did not let the strength of opposition daunt her. She set her mind firmly upon Park Street and Madame Lemaire; and very soon, to the intense surprise and chagrin of "her relations," she had contrived to get the Misses Lippincott on her side.
Very luckily for Mary, those ladies were open-minded and worldly wise. They saw that the career of a highly-trained dancer had prospects far beyond those of a half-educated schoolmistress. Mary was rapidly becoming an asset of Broadwood House, but the ladies, although perhaps a little dubious, allowed themselves to be over-*persuaded by Miss Waddington and the girl herself.
There followed a pretty to-do. Aunt Annie was horrified. Such a career, with all deference to the Misses Lippincott, hardly sounded respectable. As for Aunty Harriet, with her usual energy, she made first-hand inquiries in regard to Madame Lemaire. She found that the name of that lady stood high in her profession. But alas! one thing leads to another. Aunty Harriet, who had a shrewd knack of taking long views, had already espied the cloven hoof of the theater. It seemed inevitable that such a girl as Mary should drift towards it.
