needs no church, no temple or priest, but the worker in the world needs everything.
Hence the pomp and splendour of the Church is associated with the way of Martha. Its faith is carried like a great banner wherein is depicted a world set free, a kingdom of heaven upon earth. The ranks of the world are understood as grades of authority in the great business of well-doing, and kings and men are consecrated with solemn rites to the service of God. We are enrolled as soldiers of the heavenly King and need a religious music which is military, and appeals of sound and colour which stir the heart.
So in Nesterof's picture of Martha and Mary,[1] Martha is painted in resplendent rose and is in the forefront, whilst the mystical-faced Mary is darkly robed and stands behind her sister. So in Christianity all that is visibly and obviously splendid is associated with the way of Martha—the wonderful cathedrals, the soul-stirring processions, holy wars, solemn rites and pageants. Martha is always to the fore and splendid, and goes to meet Christ, whilst her sister Mary remains in the background at home in faith.
- ↑ The frontispiece of this book.
