There was gold in the monasteries, there were jewels and pictures. Not an inch of the little desert temples but was covered with Byzantine fresco.
But the Saracen came and murdered the cultured clergy, and tore away the jewels, as was fit, and rolled down many a wall, wrecked many an altar. There was a sixty years' gap in the Christian history of the desert. Then a wilder type of Christian took possession, Arabs who had been converted, or enslaved Copts who had forgotten their own language and learned that of their masters. They brought Arabic gospels and liturgies. They repaired some of the ruins of the old monasteries and churches, and they put up Arabic inscriptions and painted out the old Coptic frescoes and hieroglyphics with frescoes of their own conception. They built round their temples impregnable fortress walls with draw-bridges at a height of forty feet above the level of the desert. They withstood sieges and persisted . . . to this day.
The abbot showed me round the monastery. The buildings were all a patchwork of ruins and repairs and changes. The frescoes had been white-washed out in nearly every part. The old stained glass, broken and shapeless, was mortared in with new glass. And yet there was a real odour of antiquity in the place. The patterns in the ikons were but dust patterns, and the face of the Virgin crumbled away as the abbot took the picture down to show me. In a niche here and there left by
