one answers her questions, no one does any homework for her.
Katia learnt at school to adore above all things the works of Oscar Wilde. She professes to know his works almost by heart; she sleeps with The Happy Prince under her pillow. On a wall in her bedroom hangs a large portrait of Oscar Wilde; in a corner is the sacred ikon, before which on festival nights and for holy days she lights a little lamp. She was the last Russian I had seen when I left Kief some fifteen months before. She was then engaged to Sasha, a thinly-clad, stern, poverty-stricken student, who in order to travel thirty versts on the railway free would take a conductor's job and examine the tickets in the second class. If she married Sasha he would get drunk and beat her; they would live dogs' lives—so every one said. The father, a rich manufacturer, was opposed to Sasha, but then the father was a tyrant; the mother, not on speaking terms with the father, gave countenance to the engagement. Sasha was able to come to all meals and stay as long as he liked with Katia. When Katia was indisposed and thought fit to lie in bed, he might spend whole evenings sitting by her. That was all comme il faut, for in Russia a betrothed couple are already called bride and bridegroom and have such freedom.
The father, however, cut short Katia's pocket-money and cut short his wife's housekeeping money,
