Portugal."[1] This prince was, according to de la Clède, "Duc de Viseo, Grand Maître de Christ et de Saint Jacques en Portugal, et Connétable du Roiaume."[2] He took an active part in the fighting against the Moors in the northwestern part of Africa.
Apparently, then, this dedication and all that concerns Prince Ferdinand is written in good faith. And since he was a Portuguese, it would be only natural to suppose that the book was composed in the Portuguese language.
But this supposition loses much of its force when we consider that his mother was a Catalan, and consequently it is probable that he knew, or, at least, understood the Catalan language. Then, too, Martorell, who was so fond of making elaborate descriptions of court life, fails to reveal this tendency in telling about Tirant's visit to the Portuguese court at Lisbon, while this hero was on his way from Brittany to Sicily. A few cold, matter-of-fact statements of that brief stay are the only homage he renders to the kingdom of his patron. Surely that was an excellent opportunity to sing the praises of Portugal, its heroes, and its rulers, but to our great surprise no such attempt is made. This fact is indeed astonishing, and causes us to doubt that the book was written under the direction or at the request of a Portuguese. Moreover, at the very time that Martorell was engaged in the composition of Tirant lo Blanch, the Portuguese were doing what they had been doing for years, performing
- ↑ The Infante, D. Ferdinand was solemnly accepted as Prince by the other Infantes, and by the Count of Barcellos and by all those who were present, for themselves and for those of the kingdom; duly attested acts of this action were drawn up by notaries, and henceforth he was called Prince of Portugal. Duarte Nunes de Leaõ, Cronicas del rey Dom Joaõ de gloriosa memoria, o I. deste nome, e dos reys de Portugal o X., e as dos reys D. Duarte, e D. Affonso o V., Lisbon, 1780; vol. 2, p. 86.
- ↑ M. de la Clède, Histoire générale de Portugal, Paris, 1735; vol. 3, p. 242.
