Page:Travels in West Africa, Congo Français, Corisco and Cameroons (IA travelsinwestafr00kingrich).pdf/375

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themselves, so black and solid did they seem. I never roused the watch fortunately, but got her off the shadow gallantly single-handed every time, and called myself a fool instead of getting called one. My nautical friends carp at me for getting on shadows, but I beg them to consider before they judge me, whether they have ever steered at night down a river quite unknown to them an unhandy canoe, with a bed-sheet sail, by the light of the moon. And what with my having a theory of my own regarding the proper way to take a vessel round a corner, and what with having to keep the wind in the bed-sheet where the bed-sheet would hold it, it's a wonder to me I did not cast that vessel away, or go and damage Africa.

By daylight the Rembwé scenery was certainly not so lovely, and might be slept through without a pang. It had monotony, without having enough of it to amount to grandeur. Every now and again we came to villages, each of which was situated on a heap of clay and sandy soil, presumably the end of a spit of land running out into the mangrove swamp fringing the river. Every village we saw we went alongside and had a chat with, and tried to look up cargo in the proper way. One village in particular did we have a lively time at. Obanjo had a wife and home there, likewise a large herd of goats, some of which he was desirous of taking down with us to sell at Gaboon. It was a pleasant-looking village, with a clean yellow beach which most of the houses faced. But it had ramifications in the interior. I being very lazy, did not go ashore, but watched the pantomime from the bamboo staging. The whole flock of goats enter at right end of stage, and tear violently across the scene, disappearing at left. Two minutes elapse. Obanjo and his gallant crew enter at right hand of stage, leg it like lamplighters across front, and disappear at left. Fearful pow-wow behind the scenes. Five minutes elapse. Enter goats at right as before, followed by Obanjo and company as before, and so on da capo. It was more like a fight I once saw between the armies of Macbeth and Macduff than anything I have seen before or since; only our Rembwé play was better put on, more supers, and noise, and all that sort of thing, you know. It was a spirited performance I assure you