I refer to the MS. notes and diary for the beginning of the story, but have had to make several emendations and additions. There were too many epigrams, and the impression the writer wished to convey was only in the intention, and not in the execution. What she left out I have put in. It should be easy to separate my work from hers. And
Here is the story I wrote under morphia and in that strange driving stress, set down as well as I can recall it, but seeming now so much less real and distinct. I have not tried to polish, only to remember. There was then no effort after composition, no correction, transposition nor alteration, and neither is there now; nor conscious psychology nor sentiment. The scenes were all set in the house where I lay, and there was no pause in the continuity of the drama. I saw every gesture and heard every word spoken. The letters were and are before me as confirmatory evidence. My own intrusive illness minimised the interest of the circumstances to my immediate surroundings. But to me it seems that the consecutive actuality of the morphia dream or dreams is unusual if not unique, and gives value to the narrative.