Page:Villette.djvu/467

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VILLETTE.

In a land of enchantment, a garden most gorgeous, a plain sprinkled with coloured meteors, a forest with sparks of purple and ruby and golden fire gemming the foliage; a region, not of trees and shadow, but of strangest architectural wealth—of altar and of temple, of pyramid, obelisk, and sphinx: incredible to say, the wonders and the symbols of Egypt teemed throughout the park of Villette.

No matter that in five minutes the secret was mine—the key of the mystery picked up, and its illusion unveiled—no matter that I quickly recognised the material of these solemn fragments—the timber, the paint, and the pasteboard—these inevitable discoveries failed to quite destroy the charm, or undermine the marvel of that night. No matter that I now seized the explanation of the whole great fête—a fête of which the conventual Rue Fossette had not tasted, though it had opened at dawn that morning, and was still in full vigour near midnight.

In past days there had been, said history, an awful crisis in the fate of Labassecour, involving I know not what peril to the rights and liberties of her gallant citizens. Rumours of wars there had been, if not wars themselves; a kind of struggling in the streets—a bustle—a running to and fro, some rearing of barricades, some burgher-rioting, some calling out of troops, much interchange of brickbats, and even a little of shot. Tradition held that patriots had fallen: in the old Basse-Ville was shown an enclosure, solemnly built in and set apart, holding, it was said, the sacred bones of martyrs. Be this as it may, a certain day in the year was still kept as a festival in honour of the said patriots and martyrs of somewhat apocryphal memory—the morning being given to a solemn Te Deum in St. Jean Baptiste, the evening devoted to spectacles, decorations, and illuminations, such as these I now saw.

While looking up at the image of a white ibis, fixed on a column—while fathoming the deep, torch-lit perspective of an avenue, at the close of which was couched a sphinx—I lost sight of the party which, from the middle of the great square, I had followed—or, rather, they vanished like a group of apparitions. On this whole scene was impressed a dream-like character: every shape was wavering, every movement floating, every voice echo-like—half-mocking, half-uncertain.