He had always possessed a modest taste for upholstery; he now began to apply it under the guidance of a delicate idea. His idea led him to prefer, in all things, the fresh and graceful to the grave and formal, and to wage war throughout his old dwelling on the lurking mustiness of the past. He had a lively regard for elegance, balanced by a horror of wanton luxury. He fancied that a woman is the better for being well dressed and well domiciled, and that vanity, too stingily treated, is sure to avenge itself. So he took vanity into account. Nothing annoyed him more, however, than the fear of seeing Nora a precocious fine lady; so that while he aimed at all possible purity of effect, he stayed his hand here and there before certain admonitory relics of ancestral ugliness and virtue, embodied for the most part in hair-cloth and cotton damask. Chintz and muslin, flowers and photographs and books, gave their clear light tone to the house. Nothing could be more tenderly propitious and virginal, or better chosen both to chasten the young girl's aspirations and to remind her of her protector's tenderness.
Since his return he had designedly refused himself a glimpse of her. He wished to give her a single undivided welcome to his home and his heart. Shortly before Christmas, as he had even yet not set his house in order, Lucinda Brown was sent to fetch her from school. If Roger had expected that Nora would return with any striking accession of beauty, he would have had to say "Amen" with an effort. She had pretty well ceased to be a child; she was still his grave, imperfect Nora. She had gained her full height,—a great height, which her
