Page:Weird Tales volume 30 number 04.djvu/119

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"The Eyrie"—An ornamental page header showing an Eagle flying by a nest with chicks.
"The Eyrie"—An ornamental page header showing an Eagle flying by a nest with chicks.


The letter from G. M. Wilson, printed below, makes an astonishing accusation against Weird Tales; astonishing because this magazine has often been blamed for a policy the exact opposite of that attributed to us by Mr. Wilson. He says, in effect, that our stories lack interest because the reader knows in advance that they will all end happily, the villain will be defeated and virtue will triumph no matter what odds are against such an ending. We recall that Weird Tales was once rebuked by one of the magazines for writers because of our publication of The Seeds of Death by David H. Keller (July, 1931). The story was called "immoral" because the hero was given over to a lingering death, and the villainess succeeded in her evil schemes. One of our interplanetary stories was criticized by some of our readers because the red-headed reporter, who had endeared himself to the readers, was killed on Mars and could not return to Earth with the rest of the space-traveling party. A glance at the August issue (which is on the stands as this is written) shows at least four stories that refute Mr. Wilson's accusation against us. In one of these (The Will of the Dead by Loretta Burrough) a scheming mother, who had dominated her son's life, wrought a hideous doom upon her innocent daughter-in-law; all of which makes a fascinating story but does not allow virtue to triumph. In another (The Last Pharaoh by Thomas P. Kelley), the lovable English girl and her brother had their bodies taken from them so that the Pharaoh and his paramour could acquire their healthy bodies on which to transplant their own heads—surely a defeat of all that is good; the evil deed is not undone either, even though destruction overtakes the guilty pair at the last. Most of our stories do end happily because that is the way the authors write them; but our readers can never know in advance whether the ending will be happy or otherwise. Mr. Wilson's letter follows.


Does Virtue Always Win?

G. M. Wilson, whose letter we have answered above, writes from Rosebank, New York: "I realize that this epistle is slated for immediate deposit in the nethermost depths of the wastebasket, but nevertheless I still am having the satisfaction of getting something off my chest that has been bothering me for some time. The point I am bringing up is, I suppose, one of the unmentionables of the 'pulps'. It is, to put it tersely: why must virtue always triumph? I read some years ago that a writer who wished to achieve success with your type of magazine must never let heroism be overcome by villainy. I see that your authors have taken this lesson to heart, or perhaps it is your editorial policy to accept only stories which follow this category. Now there is no doubt that your publication could be one of the best 'escape mechanisms' in the literary field; however, it becomes monotonous to an extreme after the first two issues. The remedy is simple: you need only to vary your menu slightly. Your authors display enough ingenuity and skill; your field, that of the uncanny, is interesting; in fact, you lack only the quality of variety to elevate your magazine far above the pulp class. Why not let the reader have some reasonable doubt as to whether the 'fair-haired boy' will conquer the nasty villain or monstrosity. As it is now, no one is ever in doubt as to the outcome. Our upright young American will win, no matter what the odds. It is similar to the old-time movie serials where the hero falls down a thousand-foot cliff at the end of part nine and comes up as strong as ever in part ten. It is true that

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