humble garden, which were backed by the basket-maker's cot- tage.
As they entered those lowly precincts a child's laugh was borne to their ears—a child's silvery, musical, mirthful laugh; it was long since the great lady had heard a laugh like that—a happy child's natural laugh. She paused and listened with a strange pleasure. "Yes," whispered George Morley, " stop— and hush! there they are."
Waife was seated on the stump of a tree, materials for his handicraft lying beside, neglected. Sophy was standing before him—he, raising his finger as in reproof, and striving hard to frown. As the intruders listened, they overheard that he was striving to teach her the rudiments of French dialogue, and she was laughing merrily at her own blunders and at the solemn affectations of the shocked schoolmaster. Lady Montfort noted with no unnatural surprise the purity of idiom and of accent with which this singular basket-maker was unconsciously dis- playing his perfect knowledge of a language, which the best educated English gentleman of that generation, nay, even of this, rarely speaks with accuracy and elegance. But her atten- tion was diverted immediately from the teacher to the face of the sweet pupil. Women have a quick appreciation of beauty in their own sex—and women, who are themselves beautiful, not the least. Irresistibly Lady Montfort felt attracted toward that innocent countenance, so lively in its mirth, and vet so softly gay. Sir Isaac, who had hitherto lain /^r^^//. watching the move- ments of a thrush amidst a holly-bush, now started up with a bark. Waife rose—Sophy turned half in flight. The visitors approached.
Here, slowly, lingeringly', let fall the curtain. In the frank license of narrative, years will have rolled away ere the curtain rise again. Events that may influence a life often date from moments the most serene, from things that appear as trivial and unnoticeable as the great lady's visit to the basket-maker's cot- tage. Which of those lives will that visit influence hereafter— the woman's, the child's, the vagrant's? Whose? Probably little that passes now would aid conjecture, or be a visible link in the chain of destiny. A few desultory questions—a few guarded answers—a look or so, a musical syllable or two exchanged be- tween the lady and the child—a basket bought, or a promise to call again. Nothing worth the telling. Be it then untold. View only the scene itself as the curtain drops reluctantly. The rus- tic cottage, its garden-door open, and open its old-fashioned lat- tice casements. You can see how neat and cleanly, how elo-
