know how to stop him.' Says I, 'Put the Pope into Chancery along with wife's grandfather, and he'll never hold up his head agin.'"
The driver had thus just disposed of the Papacy when an elderly servant, out of livery, opened the door. Lionel sprung from the chaise, and paused in some confusion—for then, for the first time, there darted across him the idea that he had never written to announce his acceptance of Mr. Darrell's invitation—that he ought to have done so—that he might not be expected. Meanwhile the servant surveyed him with some surprise. "Mr. Darrell?" hesitated Lionel, inquiringly.
"Not at home, Sir," replied the man, as if Lionel's business was over, and he had only to re-enter his chaise. The boy was naturally rather bold than shy, and he said, with a certain assured air, "My name is Haughton. I come here on Mr. Darrell's invitation."
The servant's face changed in a moment—he bowed respectfully. "I beg pardon, Sir. I will look for my master—he is somewhere on the grounds." The servant then approached the fly, took out the knapsack, and observing Lionel had his purse in his hand, said—"Allow me to save you that trouble, Sir. Driver, round to the stable-yard." Stepping back into the house, the servant threw open a door to the left, on entrance, and advanced a chair—"If you will wait here a moment, Sir, I will seek for my master."
CHAPTER II.
Guy Darrell—and Still'd Life.
The room in which Lionel now found himself was singularly quaint. An antiquarian or architect would have discovered at a glance that, at some period, it had formed part of the entrance-hall; and when, in Elizabeth's or James the First's day, the refinement in manners began to penetrate from baronial mansions to the homes of the gentry, and the entrance-hall ceased to be the common refectory of the owner and his dependents, this apartment had been screened off by perforated panels, which, for the sake of warmth and comfort, had been filled up into solid wainscot by a succeeding generation. Thus one side of the room was richly carved with geometrical designs and arabesque pilasters, while the other three sides were in small simple panels, with a deep fantastic frieze in plaster, depicting a deer-chase in
