Page:William Blake, a critical essay (Swinburne).djvu/168

Here, as in all swift "inspired" writing, there are on the outside infinite and indefinable anomalies, contradictions, incompatibilities enough of all sorts; open for any Paine or Paley to impugn or to defend. But let no one dream that there is here either madness or mendacity: the heart or sense thus hidden away is sound enough for a mystic.

The greatest passage of this poem is also the simplest; that division which deals with the virtue of "chastity," and uses for its text the story of "the woman taken in adultery:" who is identified with Mary Magdalene. We give it here in full; hoping it may now be comprehensible to all who care to understand, and may bear fruit of its noble and almost faultless verse for all but those who prefer to take the sterility of their fig-tree on trust rather than be at the pains of lifting a single leaf.

⁠Was Jesus chaste? or did he

Give any lessons of chastity?
The morning blushed fiery red;
Mary was found in adulterous bed.
Earth groaned beneath, and heaven above
Trembled at discovery of love.
Jesus was sitting in Moses' chair;
They brought the trembling woman there.
Moses commands she be stoned to death:
What was the sound of Jesus' breath?
He laid his hand on Moses' law;
The ancient heavens, in silent awe,
Writ with curses from pole to pole,
All away began to roll;
The earth trembling and naked lay
In secret bed of mortal clay—
On Sinai felt the hand Divine
Pulling^[1] back the bloody shrine—

1. Query "Putting?" This whole poem is jotted down in a close rough hand-writing, not often easy to follow with confidence.