spear's songs. One of the most beautiful of them occurs in this play, with a preface of his own to it.
"Duke. O fellow, come; the song we had last night.
Mark it, Cesario, it is old and plain;
The spinsters and the knitters in the sun,
And the free maids that weave their thread with bones,
Do use to chaunt it: it is silly sooth,
And dallies with the innocence of love,
Like the old age.
SONG.
Come away, come away, death,
And in sad cypress let me be laid;
Fly away, fly away, breath;
I am slain by a fair cruel maid.
My shroud of white, stuck all with yew,
O prepare it;
My part of death no one so true
Did share it.
Not a flower, not a flower sweet,
On my black coffin let there be strewn;
Not a friend, not a friend greet
My poor corpse, where my bones shall be thrown:
A thousand thousand sighs to save,
Lay me, O! where
Sad true-love never find my grave,
To weep there."
Who after this will say that Shakespear's genius was only fitted for comedy? Yet after reading other parts of this play, and particularly the garden-scene where Malvolio picks up the