proper qualification for the office of a "civil doctor," which she undertakes and executes so successfully. The speech about Mercy is very well; but there are a thousand finer ones in Shakespear. We do not admire the scene of the caskets; and object entirely to the Black Prince Morocchius. We should like Jessica better if she had not deceived and robbed her father, and Lorenzo, if he had not married a Jewess, though he thinks he has a right to wrong a Jew. The dialogue between this newly-married couple by moonlight, beginning "On such a night," &c. is a collection of classical elegancies. Launcelot, the Jew's man, is an honest fellow. The dilemma in which he describes himself placed between his "conscience and the fiend," the one of which advises him to run away from his master's service and the other to stay in it, is exquisitely humourous.
Gratiano is a very admirable subordinate character. He is the jester of the piece: yet one speech of his, in his own defence, contains a whole volume of wisdom.
Anthonio. I hold the world but as the world, Gratiano,
A stage, where every one must play his part;
And mine a sad one.
Gratiano. Let me play the fool:
With mirth and laughter let old wrinkles come;
