the will of the dominant sex; not the tutors, indeed, but the feeders of his riot, complaisant creatures who accept the purpose of the universe to keep men supplied with love, and whose most prominent traits are those which protect and confirm the union of the sexes. It is alleged that Shakspeare "never foretold a better woman than he saw," because "he lacked an ideal of humanity and life:" he withheld from her the personal consequence which belongs to strong individualities who detach themselves from their age to view, scrutinize, and remodel it. It is astonishing to read what Mrs. Farnham,[1] whose life was most unselfish and heroic, has said about Shakspeare's ideas of women, that "he authorized in his sentiments all manner of passional, sensual, and drunken usurpation of man over woman, every kind of force to degrade her which the law did not punish; and only felt bound to satirize and speak coarsely of her after it had been exercised; men, who repeated such experiences never so often or basely, being no less heroes for his dramas, fit to lead in council, rule in honorable war, and receive the homage of society. The leading characteristics of woman, as he portrayed her, are sensuality, and fickleness, its uniform attendant in either sex; capriciousness, vanity, desire to be loved, more for the power than the pure happiness of it; a disposition to exercise that fleeting, petty power tyrannically,—so far, to play the man on the child's scale; weakness, helplessness indeed, against temptation, and a paramount selfishness which is only modified, or very rarely turned into
- ↑ In a volume entitled "Woman and her Era."
