stood opposite to that by which I had entered the library, and I passed into an immense drawing-room splendidly lighted.
It was a vast four-sided room, thirty feet long, eighteen wide, and fifteen high. A luminous ceiling, decorated with light arabesques, shed a soft clear light over all the marvels accumulated in this museum. For it was in fact a museum, in which an intelligent and prodigal hand had gathered all the treasures of nature and art, with the artistic confusion which distinguishes a painter's studio. Thirty first-rate pictures, uniformly framed, separated by bright drapery, ornamented the walls, which were hung with tapestry of severe design. I saw works of great value, the greater part of which I had admired in the special collections of Europe, and in the exhibitions of paintings. The several schools of the old masters were represented by a Madonna of Raphael, a Virgin of Leonardo da Vinci, a nymph of Correggio, a woman of Titian, an Adoration of Veronese, an Assumption of Murillo, a portrait of Holbein, a monk of Velasquez, a martyr of Ribeira, a fair of Rubens, two Flemish landscapes of Teniers, three little "genre" pictures of Gérard Dow, Metsu, and Paul Potter, two specimens of Géricault and Prudhon, and some sea-pieces of Backhuysen and Vernet. Among the works of modern painters were pictures with the signatures of Delacroix, Ingres, Decamp, Troyon, Meissonnier, Daubigny, etc.; and some admirable statues in marble and bronze, after the finest antique models, stood upon pedestals in the corners of this magnificent museum. Amazement, as the captain of the Nautilus had predicted, had already begun to take possession of me.
"Professor," said this strange man, "you must excuse the unceremonious way in which I receive you, and the disorder of this room."
"Sir," I answered, "without seeking to know who you are, I recognize in you an artist."
"An amateur, nothing more, sir. Formerly I loved to collect these beautiful works created by the hand of men. I sought them greedily and ferreted them out indefatigably, and I have been able to bring together some objects of great value. These are my last souvenirs of that world which is dead to me. In my eyes, your modern artists are
