stances, and so copiously withal, in Roman or English or any history. What a variety of themes he touched on in that short space! There are words in that letter to his wife, respecting the education of his daughters, which deserve to be framed and hung over every mantel-piece in the land. Compare this earnest wisdom with that of Poor Richard.
The death of Irving, which at any other time would have attracted universal attention, having occurred while these things were transpiring, went almost unobserved. I shall have to read of it in the biography of authors.
Literary gentlemen, editors, and critics, think that they know how to write, because they have studied grammar and rhetoric; but they are egregiously mistaken. The art of composition is as simple as the discharge of a bullet from a rifle, and its masterpieces imply an infinitely greater force behind them. This unlettered man's speaking and writing are standard English. Some words and phrases deemed vulgarisms and Americanisms before, he has made standard American; such as "It will pay" It suggests that the one great rule of composition,—and if I were a professor of rhetoric I should insist on this,—is, to speak the truth. This first, this second, this third; pebbles in your mouth or not. This demands earnestness and manhood chiefly.
We seem to have forgotten that the expression, a liberal education, originally meant among the Romans one worthy of free men; while the learning of trades and professions by which to get your livelihood merely was considered worthy of slaves only. But taking a hint from the word, I would go a step farther, and say, that it is not the man of wealth and leisure simply, though devoted to art, or science, or literature, who, in a true
