Smith, George (1713-1776) (DNB00)
|←Smith, George (1693-1756)||Dictionary of National Biography, 1885-1900, Volume 53
Smith, George (1713-1776)
|Smith, George (1797?-1850)→|
SMITH, GEORGE (1713–1776), landscape-painter, was born in 1713 at Chichester, where his father, William Smith, was a tradesman and baptist minister. He was the second and most gifted of three brothers, who all practised painting and were known as ‘the Smiths of Chichester.’ When a boy he was placed with his uncle, a cooper, but, preferring art, became a pupil of his brother William, whom he accompanied to Gloucester; there and in other places he spent some years, painting chiefly portraits, and then returned to his native city, where, under the patronage of the Duke of Richmond, he settled as a landscape-painter. He depicted the rural and pastoral scenery of Sussex and other parts of England in a pleasing but artificial manner, based on the study of Claude and Poussin, which appealed to the taste of the day, and he was throughout his life a much-admired artist. His reputation extended to the continent, where he was known as the ‘British Gessner.’ In 1760 Smith gained from the Society of Arts their first premium for a landscape, and repeated his success in 1761 and 1763. He exhibited with the Incorporated Society of Artists in 1760, but in 1761 joined the Free Society, of which he was one of the chief supporters until 1774; in that year only he was a contributor to the Royal Academy. Smith's works, which are now chiefly met with at Goodwood and other country houses of Sussex and Hampshire, were largely engraved by Woollett, Elliott, Peake, Vivares, and other able artists; a series of twenty-seven plates from his pictures, with the title ‘Picturesque Scenery of England and Wales,’ was published between 1757 and 1769. A set of fifty-three etchings and engravings by him and his brother John, from their own works and those of other masters, was published in 1770. George Smith was a good performer on the violoncello and also wrote poetry; in 1770 he printed a volume of ‘Pastorals,’ of which a second edition, accompanied by a memoir of him, was issued by his daughters in 1811. He died at Chichester on 7 Sept. 1776.
John Smith (1717–1764), younger brother of George, was his pupil, and painted landscapes of a similar character; the two frequently worked on the same canvas. John exhibited with the Incorporated Society of Artists in 1760 and with the Free Society from 1761 to 1764. In 1760, again in 1761, he was awarded the second premium of the Society of Arts, and in 1762, when his brother George was not a candidate, the first; his ‘premium’ landscape of 1760 was engraved by Woollett. He died at Chichester on 29 July 1764.
William Smith (1707–1764), the eldest of the brothers, born at Guildford in 1707, was placed by the Duke of Richmond with a portrait-painter in London, and for a time practised portraiture, first in London and then for eight or nine years at Gloucester. On his return to the metropolis he painted fruit and flowers with success until his health gave way, when he retired to Shopwyke, near Chichester. There he died on 4 Oct. 1764.
The three brothers all lie in the churchyard of St. Pancras, Chichester. A portrait group of them, painted by William Pethier, was engraved in mezzotint by him in 1765.[G. Smith's Pastorals, 2nd ed. 1811; Dally's Chichester Guide, 1831, p. 96; Redgrave's Dict. of Artists; Graves's Dict. of Artists, 1760–1893; Seguier's Dict. of Painters; Nagler's Künstler-Lexikon.]