The Works of Lord Byron (ed. Coleridge, Prothero)/Poetry/Volume 4/The Prisoner of Chillon
THE PRISONER OF CHILLON.
INTRODUCTION TO THE PRISONER OF CHILLON.
The Prisoner of Chillon, says Moore (Life, p. 320), was written at Ouchy, near Lausanne, where Byron and Shelley "were detained two days in a small inn [Hôtel de l'Ancre, now d'Angleterre] by the weather." Byron's letter to Murray, dated June 27 (but ? 28), 1816, does not precisely tally with Shelley's journal contained in a letter to Peacock, July 12, 1816 (Prose Works of P. B. Shelley, 1880, ii. 171, sq.); but, if Shelley's first date, June 23, is correct, it follows that the two poets visited the Castle of Chillon on Wednesday, June 26, reached Ouchy on Thursday, June 27, and began their homeward voyage on Saturday, June 29 (Shelley misdates it June 30). On this reckoning the Prisoner of Chillon was begun and finished between Thursday, June 27, and Saturday, June 29, 1816. Whenever or wherever begun, it was completed by July 10 (see Memoir of John Murray, 1891, i. 364), and was ready for transmission to England by July 25. The MS., in Claire's handwriting, was placed in Murray's hands on October 11, and the poem, with seven others, was published December 5, 1816.
In a final note to the Prisoner of Chillon (First Edition, 1816, p. 59), Byron confesses that when "the foregoing poem was composed he knew too little of the history of Bonnivard to do justice to his courage and virtues," and appends as a note to the "Sonnet on Chillon," "some account of his life ... furnished by the kindness of a citizen of that Republic," i.e. Geneva. The note, which is now entitled "Advertisement," is taken bodily from the pages of a work published in 1786 by the Swiss naturalist, Jean Senebier, who died in 1809. It was not Byron's way to invent imaginary authorities, but rather to give his references with some pride and particularity, and it is possible that this unacknowledged and hitherto unverified "account" was supplied by some literary acquaintance, who failed to explain that his information was common property. Be that as it may, Senebier's prose is in some respects as unhistorical as Byron's verse, and stands in need of some corrections and additions.
François Bonivard (there is no contemporary authority for "Bonnivard") was born in 1493. In early youth (1510) he became by inheritance Prior of St. Victor, a monastery outside the walls of Geneva, and on reaching manhood (1514) he accepted the office and the benefice, "la dignité ecclésiastique de Prieur et de la Seigneurie temporelle de St. Victor." A lover of independence, a child of the later Renaissance, in a word, a Genevese, he threw in his lot with a band of ardent reformers and patriots, who were conspiring to shake off the yoke of Duke Charles III. of Savoy, and convert the city into a republic. Here is his own testimony: "Dès que j'eus commencé de lire l'histoire des nations, je me sentis entrainé par un goût prononcé pour les Républiques dont j'épousai toujours les intérêts." Hence, in a great measure, the unrelenting enmity of the duke, who not only ousted him from his priory, but caused him to be shut up for two years at Grolée, Gex, and Belley, and again, after he had been liberated on a second occasion, ordered him, a safe conduct notwithstanding, to be seized and confined in the Castle of Chillon. Here he remained from 1530 to February 1, 1536, when he was released by the Bernese.
For the first two years he was lodged in a room near the governor's quarters, and was fairly comfortable; but a day came when the duke paid a visit to Chillon; and "then," he writes, "the captain thrust me into a cell lower than the lake, where I lived four years. I know not whether he did it by the duke's orders or of his own accord; but sure it is that I had so much leisure for walking, that I wore in the rock which was the pavement a track or little path, as it had been made with a hammer" (Chroniques des Ligues de Stumpf, addition de Bonivard).
After he had been liberated, "par la grace de Dieu donnee a Messrs. de Berne," he returned to Geneva, and was made a member of the Council of the State, and awarded a house and a pension of two hundred crowns a year. A long life was before him, which he proceeded to spend in characteristic fashion, finely and honourably as scholar, author, and reformer, but with little self-regard or self-respect as a private citizen. He was married no less than four times, and not one of these alliances was altogether satisfactory or creditable. Determined "to warm both hands before the fire of life," he was prone to ignore the prejudices and even the decencies of his fellow-citizens, now incurring their displeasure, and now again, as one who had greatly testified for truth and freedom, being taken back into favour and forgiven. There was a deal of human nature in Bonivard, with the result that, at times, conduct fell short of pretension and principle. Estimates of his character differ widely. From the standpoint of Catholic orthodoxy, "C'était un fort mauvais sujet et un plus mauvais prêtre;" and even his captivity, infamous as it was, "ne peut rendre Bonivard intérssant" (Notices Généalogiques sur les Familles Genevoises, par J. A. Galiffe, 1836, iii. 67, sq.); whilst an advocate and champion, the author of the Preface to Les Chroniques de Genève par François de Bonnivard, 1831, tom. i. pt. i. p. xli., avows that "aucun homme n'a fait preuve d'un plus beau caractère, d'un plus parfait désintéressement que l'illustre Prieur de St. Victor." Like other great men, he may have been guilty of "quelques égarements du cœur, quelques concessions passagères aux délices des sens," but "Peu importe à la postérité les irrégularités de leur vie privée" (p. xlviii.).
But whatever may be the final verdict with regard to the morals, there can be no question as to the intellectual powers of the "Prisoner of Chillon." The publication of various MS. tracts, e.g. Advis et Devis de l'ancienne et nouvelle Police de Genève, 1865; Advis et Devis des Lengnes, etc., 1865, which were edited by the late J. J. Chaponnière, and, after his death, by M. Gustave Revilliod, has placed his reputation as historian, satirist, philosopher, beyond doubt or cavil. One quotation must suffice. He is contrasting the Protestants with the Catholics (Advis et Devis de la Source de Lidolatrie, Geneva, 1856, p. 159): "Et nous disons que les prebstres rongent les mortz et est vray; mais nous faisons bien pys, car nous rongeons les vifz. Quel profit revient aux paveures du dommage des prebstres? Nous nous ventons touttes les deux parties de prescher Christ cruciffie et disons vray, car nous le laissons cruciffe et nud en l'arbre de la croix, et jouons a beaux dez au pied dicelle croix, pour scavoir qui haura sa robe."
For Bonivard's account of his second imprisonment, see Les Chroniques de Genève, tom. ii. part ii. pp. 571-577; see, too, Notice sur François Bonivard,... par Le Docteur J. J. Chaponnière, Mémoires et Documents Publiés, par La Société d'Histoire, etc., de Genève, 1845, iv. 137-245; Chillon Etude Historique, par L. Vulliemin, Lausanne, 1851; Revue des Deux Mondes, Seconde Période, vol. 82, Août, 1869, pp. 682-709; "True Story of the Prisoner of Chillon," Nineteenth Century, May, 1900, No. 279, pp. 821-829, by A. van Amstel (Johannes Christiaan Neuman).
The Prisoner of Chillon was reviewed (together with the Third Canto of Childe Harold) by Sir Walter Scott (Quarterly Review, No. xxxi., October, 1816), and by Jeffrey (Edinburgh Review, No. liv., December, 1816).
With the exception of the Eclectic (March, 1817, N.S., vol. vii. pp. 298-304), the lesser reviews were unfavourable. For instance, the Critical Review (December, 1816, Series V. vol. iv. pp. 567-581) detected the direct but unacknowledged influence of Wordsworth on thought and style; and the Portfolio (No. vi. pp. 121-128), in an elaborate skit, entitled "Literary Frauds," assumed, and affected to prove, that the entire poem was a forgery, and belonged to the same category as The Right Honourable Lord Byron's Pilgrimage to the Holy Land, etc.
For extracts from these and other reviews, see Kölbing, Prisoner of Chillon, and Other Poems, Weimar, 1896, excursus i. pp. 3-55.
SONNET ON CHILLON.
Eternal Spirit of the chainless Mind!
When this poem was composed, I was not sufficiently aware of the history of Bonnivard, or I should have endeavoured to dignify the subject by an attempt to celebrate his courage and his virtues. With some account of his life I have been furnished, by the kindness of a citizen of that republic, which is still proud of the memory of a man worthy of the best age of ancient freedom:—
"François de Bonnivard, fils de Louis de Bonnivard, originaire de Seyssel et Seigneur de Lunes, naquit en 1496. Il fit ses études à Turin: en 1510 Jean Aimé de Bonnivard, son oncle, lui résigna le Prieuré de St. Victor, qui aboutissoit aux murs de Genève, et qui formait un bénéfice considérable....
"Ce grand homme—(Bonnivard mérite ce titre par la force de son âme, la droiture de son cœur, la noblesse de ses intentions, la sagesse de ses conseils, le courage de ses démarches, l'étendue de ses connaissances, et la vivacité de son esprit),—ce grand homme, qui excitera l'admiration de tous ceux qu'une vertu héroïque peut encore émouvoir, inspirera encore la plus vive reconnaissance dans les cœurs des Genevois qui aiment Genève. Bonnivard en fut toujours un des plus fermes appuis: pour assurer la liberté de notre République, il ne craignit pas de perdre souvent la sienne; il oublia son repos; il méprisa ses richesses; il ne négligea rien pour affermir le bonheur d'une patrie qu'il honora de son choix: dès ce moment il la chérit comme le plus zélé de ses citoyens; il la servit avec l'intrépidité d'un héros, et il écrivit son Histoire avec la naïveté d'un philosophe et la chaleur d'un patriote.
"Il dit dans le commencement de son Histoire de Genève, que, dès qu'il eut commencé de lire l'histoire des nations, il se sentit entraîné par son goût pour les Républiques, dont il épousa toujours les intérêts: c'est ce goût pour la liberté qui lui fit sans doute adopter Genève pour sa patrie....
"Bonnivard, encore jeune, s'annonca hautement comme le défenseur de Genève contre le Duc de Savoye et l'Evêque....
"En 1519, Bonnivard devient le martyr de sa patrie: Le Duc de Savoye étant entré dans Genève avec cinq cent hommes, Bonnivard craint le ressentiment du Duc; il voulut se retirer à Fribourg pour en éviter les suites; mais il fut trahi par deux hommes qui l'accompagnaient, et conduit par ordre du Prince à Grolée, où il resta prisonnier pendant deux ans. Bonnivard était malheureux dans ses voyages: comme ses malheurs n'avaient point ralenti son zèle pour Genève, il était toujours un ennemi redoutable pour ceux qui la menaçaient, et par conséquent il devait être exposé à leurs coups. Il fut rencontré en 1530 sur le Jura par des voleurs, qui le dépouillèrent, et qui le mirent encore entre les mains du Duc de Savoye: ce Prince le fit enfermer dans le Château de Chillon, où il resta sans être interrogé jusques en 1536; il fut alors delivré par les Bernois, qui s'emparèrent du Pays-de-Vaud.
"Bonnivard, en sortant de sa captivité, eut le plaisir de trouver Genève libre et réformée: la République s'empressa le lui témoigner sa reconnaissance, et de le dédommager des maux qu'il avoit soufferts; elle le reçut Bourgeois de la ville au mois de Juin, 1536; elle lui donna la maison habitée autrefois par le Vicaire-Général, et elle lui assigna une pension de deux cent écus d'or tant qu'il séjournerait à Genève. Il fut admis dans le Conseil des Deux-Cent en 1537.
"Bonnivard n'a pas fini d'être utile: après avoir travaillé à rendre Genève libre, il réussit à la rendre tolérante. Bonnivard engagea le Conseil à accorder [aux ecclésiastiques et aux paysans] un tems suffisant pour examiner les propositions qu'on leur faisait; il reússit par sa douceur: on prêche toujours le Christianisme avec succès quand on le prêche avec charité....
"Bonnivard fut savant: ses manuscrits, qui sont dans la bibliothèque publique, prouvent qu'il avait bien lu les auteurs classiques Latins, et qu'il avait approfondi la théologie et l'histoire. Ce grand homme aimait les sciences, et il croyait qu'elles pouvaient faire la gloire de Genève; aussi il ne négligea rien pour les fixer dans cette ville naissante; en 1551 il donna sa bibliothèque au public; elle fut le commencement de notre biblothèque publique; et ces livres sont en partie les rares et belles éditions du quinzième siècle qu'on voit dans notre collection. Enfin, pendant la même année, ce bon patriote institua la République son héritière, à condition qu'elle employerait ses biens à entretenir le collège dont on projettait la fondation.
"Il parait que Bonnivard mourut en 1570; mais on ne peut l'assurer, parcequ'il y a une lacune dans le Nécrologe depuis le mois de Juillet, 1570, jusques en 1571."—[Histoire Littéraire de Genève, par Jean Senebier (1741-1809), 1786, i. 131-137.]
THE PRISONER OF CHILLON.
My hair is grey, but not with years,
There are seven pillars of Gothic mould,
The Prison of Bonnivard
And through the crevice and the cleft
They chained us each to a column stone,
I was the eldest of the three,
The other was as pure of mind,
Lake Leman lies by Chillon's walls:
I said my nearer brother pined,
But he, the favourite and the flower,
What next befell me then and there
A light broke in upon my brain,—
A kind of change came in my fate, 300
I made a footing in the wall,
I saw them—and they were the same,
It might be months, or years, or days—
- [In the first draft, the sonnet opens thus—
"Belovéd Goddess of the chainless mind!
Brightest in dungeons, Liberty! thou art,
Thy palace is within the Freeman's heart,
Whose soul the love of thee alone can bind;
And when thy sons to fetters are consign'd—
To fetters, and the damp vault's dayless gloom,
Thy joy is with them still, and unconfined,
Their country conquers with their martyrdom."
"I appeal from her [sc. Florence] to Thee."
Proph. of Dante, Canto I. line 125.]
- When the foregoing.... Some account of his life will be found in a note appended to the Sonnet on Chillon, with which I have been furnished, etc.—[Notes, The Prisoner of Chillon, etc., 1816, p. 59.]
- Ludovico Sforza, and others.—The same is asserted of Marie Antoinette's, the wife of Louis the Sixteenth, though not in quite so short a period. Grief is said to have the same effect; to such, and not to fear, this change in hers was to be attributed.
[It has been said that the Queen's hair turned grey during the return from Varennes to Paris; but Carlyle (French Revolution, 1839, i. 182) notes that as early as May 4, 1789, on the occasion of the assembly of the States-General, "Her hair is already grey with many cares and crosses."
Compare "Thy father's beard is turned white with the news" (Shakespeare, 1 Henry IV., act ii. sc. 4, line 345); and—
"For deadly fear can time outgo,
And blanch at once the hair."
Marmion, Canto I. stanza xxviii. lines 19, 20.]
- But with the inward waste of grief.—[MS.]
- [The N. Engl. Dict., art. "Ban," gives this passage as the earliest instance of the use of the verb "to ban" in the sense of "to interdict, to prohibit." Exception was taken to this use of the word in the Crit. Rev., 1817, Series V. vol. iv, p. 571.]
- [Compare the epitaph on the monument of Richard Lord Byron, in the chancel of Hucknall-Torkard Church, "Beneath in a vault is interred the body of Richard Lord Byron, who with the rest of his family, being seven brothers," etc. (Elze's Life of Lord Byron, p. 4, note 1).
Compare, too, Churchill's Prophecy of Famine, lines 391, 392—
"Five brothers there I lost, in manhood's pride,
Two in the field and three on gibbets died."
The Bonivard of history had but two brothers, Amblard and another.]
- Braving rancour—chains—and rage.—[MS.]
- ["This is really so: the loop-holes that are partly stopped up are now but long crevices or clefts, but Bonivard, from the spot where he was chained, could, perhaps, never get an idea of the loveliness and variety of radiating light which the sunbeam shed at different hours of the day.... In the morning this light is of luminous and transparent shining, which the curves of the vaults send back all along the hall. Victor Hugo (Le Rhin,... Hachette, 1876, I. iii. pp. 123-131) describes this... 'Le phénomène de la grotto d'azur s'accomplit dans le souterrain de Chillon, et le lac de Genève n'y réussit pas moins bien que la Méditerranée.' During the afternoon the hall assumes a much deeper and warmer colouring, and the blue transparency of the morning disappears; but at eventide, after the sun has set behind the Jura, the scene changes to the deep glow of fire...."—Guide to the Castle of Chillon, by A. Naef, architect, 1896, pp, 35, 36.]
"One little marshy spark of flame."
Def. Transf., Part I. sc. 1.
Kölbing notes six other allusions in Byron's works to the "will-o'-the-wisp," but omits the line in the "Incantation" (Manfred, act i. sc. 1, line 195)—
"And the wisp on the morass,"
which the Italian translator would have rendered "bundle of straw" (see Letter to Hoppner, February 28, 1818, Letters, 1900, iv. 204, note 2, et post p. 92, note 1).]
- [This "... is not exactly so; the third column does not seem to have ever had a ring, but the traces of these rings are very visible in the two first columns from the entrance, although the rings have been removed; and on the three last we find the rings still riveted on the darkest side of the pillars where they face the rock, so that the unfortunate prisoners chained there were even bereft of light.... The fifth column is said to be the one to which Bonivard was chained during four years. Byron's name is carved on the southern side of the third column ... on the seventh tympanum, at about 1 metre 45 from the lower edge of the shaft." Much has been written for and against the authenticity of this inscription, which, according to M. Naef, the author of Guide, was carved by Byron himself, "with an antique ivory-mounted stiletto, which had been discovered in the duke's room."—Guide, etc., pp. 39-42. The inscription was in situ as early as August 22, 1820, as Mr. Richard Edgcumbe points out (Notes and Queries, Series V. xi. 487).]
- —— pined in heart.—[Editions 1816-1837.]
- [Compare, for similarity of sound—
"Thou tree of covert and of rest
For this young Bird that is distrest."
Song at the Feast of Brougham Castle, by W. Wordsworth,
Works, 1889, p. 364.
"She came into the cave, but it was merely
To see her bird reposing in his nest."
Don Juan, Canto II. stanza clxviii. lines 3, 4.]
"Those polar summers, all sun, and some ice."
Don Juan, Canto XII. stanza lxxii. line 8.]
- [Ruskin (Modern Painters, Part IV. chap. i. sect. 9, "Touching the Grand Style," 1888, iii. 8, 9) criticizes these five lines 107-111, and points out that, alike in respect of accuracy and inaccuracy of detail, they fulfil the conditions of poetry in contradistinction to history. "Instead," he concludes, "of finding, as we expected, the poetry distinguished from the history by the omission of details, we find it consisting entirely in the addition of details; and instead of it being characterized by regard only of the invariable, we find its whole power to consist in the clear expression of what is singular and particular!"]
- The Château de Chillon is situated between Clarens and Villeneuve, which last is at one extremity of the Lake of Geneva. On its left are the entrances of the Rhone, and opposite are the heights of Meillerie and the range of Alps above Boveret and St. Gingo. Near it, on a hill behind, is a torrent: below it, washing its walls, the lake has been fathomed to the depth of 800 feet, French measure: within it are a range of dungeons, in which the early reformers, and subsequently prisoners of state, were confined. Across one of the vaults is a beam black with age, on which we were informed that the condemned were formerly executed. In the cells are seven pillars, or, rather, eight, one being half merged in the wall; in some of these are rings for the fetters and the fettered: in the pavement the steps of Bonnivard have left their traces. He was confined here several years. It is by this castle that Rousseau has fixed the catastrophe of his Héloïse, in the rescue of one of her children by Julie from the water; the shock of which, and the illness produced by the immersion, is the cause of her death. The château is large, and seen along the lake for a great distance. The walls are white. ["Le château de Chillon ... est situé dans le lac sur un rocher qui forme une presqu'isle, et autour du quel j'ai vu sonder à plus de cent cinquante brasses qui font près de huit cents pieds, sans trouver le fond. On a creusé dans ce rocher des caves et des cuisines au-dessous du niveau de l'eau, qu'on y introduit, quand on veut, par des robinets. C'est-la que fut détenu six ans prisonnier François Bonnivard ... homme d'un mérite rare, d'une droiture et d'une fermeté à toute épreuve, ami de la liberté, quoique Savoyard, et tolérant quoique prêtre," etc. (La Nouvelle Héloïse, par J. J. Rousseau, partie vi. Lettre 8, note (1); Œuvres complètes, 1836, ii. 356, note 1).
With Byron's description of Chillon, compare that of Shelley, contained in a letter to Peacock, dated July 12, 1816 (Prose Works of P. B. Shelley, 1880, ii. 171, sq.). The belief or tradition that Bonivard's prison is "below the surface of the lake," for which Shelley as well as Rousseau is responsible, but which Byron only records in verse, may be traced to a statement attributed to Bonivard himself, who says (Mémoires, etc., 1845, iv. 268) that the commandant thrust him "en unes croctes desquelles le fond estoit plus bas que le lac sur lequel Chillon estoit citue." As a matter of fact, "the level [of les souterrains] is now three metres higher than the level of the water, and even if we take off the difference arising from the fact that the level of the lake was once much higher, and that the floor of the halls has been raised, still the halls must originally have been built about two metres above the surface of the lake."—Guide, etc., pp. 28, 29.]
- [The "real Bonivard" might have indulged in and, perhaps, prided himself on this feeble and irritating paronomasy; but nothing can be less in keeping with the bearing and behaviour of the tragic and sententious Bonivard of the legend.]
"... I'm a forester and breather
Of the steep mountain-tops."
Werner, act iv. sc. 1.]
- But why withhold the blow?—he died.—[MS.]
- To break or bite ——.—[MS.]
- [Compare "With the aid of Suleiman's ataghan and my own sabre, we scooped a shallow grave upon the spot which Darvell had indicated" (A Fragment of a Novel by Byron, Letters, 1899, iii. Appendix IX. p. 452).]
"And to be wroth with one we love
Doth work like madness in the brain."
Christabel, by S. T. Coleridge, part ii. lines 412, 413.]
- [It is said that his parents handed him over to the care of his uncle,Jean-Aimé Bonivard, when he was still an infant, and it is denied that is father was "literally put to death."]
- [Kölbing quotes parallel uses of the same expression in Werner, act iv. sc. 1; Churchill's The Times, line 341, etc.; but does not give the original—
"But earthlier happy is the rose distill'd,
Than that which, withering on the virgin-thorn," etc.
Midsummer Nights Dream, act i. sc. 1, lines 76, 77.]
"The first, last look of Death revealed."
The Giaour, line 89, note 2.
Byron was a connoisseur of the incidents and by-play of "sudden death," so much so that Goethe was under the impression that he had been guilty of a venial murder (see his review of Manfred in his paper Kunst und Alterthum, Letters, 1901, v. 506, 507). A year after these lines were written, when he was at Rome (Letter to Murray, May 30, 1817), he saw three robbers guillotined, and observed himself and them from a psychological standpoint.
"The ghastly bed of Sin" (lines 182, 183) may be a reminiscence of the death-bed of Lord Falkland (English Bards, etc., lines 680-686; Poetical Works, 1898, i. 351, note 2).]
"And yet I could not die."
Ancient Mariner, Part IV. line 262.]
"I wept not; so all stone I felt within."
Dante's Inferno, xxxiii. 47 (Cary's translation).]
- [Compare "Song by Glycine"—
"A sunny shaft did I behold,
From sky to earth it slanted;
And poised therein a bird so bold—
Sweet bird, thou wert enchanted," etc.
Zapolya, by S. T. Coleridge, act ii. sc. 1.]
"When Ruth was left half desolate,
Her Father took another Mate."
Ruth, by W. Wordsworth, Works, 1889, p. 121.]
- ["The souls of the blessed are supposed by some of the Mahommedans to animate green birds in the groves of Paradise."—Note to Southey's Thalaba, bk. xi. stanza 5, line 13.]
"I wandered lonely as a cloud.
Works of W. Wordsworth, 1889, p. 205.]
"Yet some did think that he had little business here."
Ibid., p. 183.
Compare, too, The Dream, line 166, vide post, p. 39—
"What business had they there at such a time?"]
"He sighed, and turned his eyes, because he knew
'Twas but a larger jail he had in view."
Dryden, Palamon and Arcite, bk. i. lines 216, 217.
Who has the whole world for a dungeon strong."
Prophecy of Dante, iv. 131, 132.]
"The harvest of a quiet eye."
A Poet's Epitaph, line 51, Works of W. Wordsworth, 1889, p. 116.]
I saw them with their lake below,
And their three thousand years of snow.—[MS.]
- [This, according to Ruskin's canon, may be a poetical inaccuracy. The Rhone is blue below the lake at Geneva, but "les embouchures" at Villeneuve are muddy and discoloured.]
- Between the entrances of the Rhone and Villeneuve, not far from Chillon, is a very small island [Ile de Paix]; the only one I could perceive in my voyage round and over the lake, within its circumference. It contains a few trees (I think not above three), and from its singleness and diminutive size has a peculiar effect upon the view.
"Of Silver How, and Grasmere's peaceful lake,
And one green island."
Works of W. Wordsworth, 1889, p. 220.]
- [Compare the Ancient Mariner on the water-snakes—
"O happy living things! no tongue
Their beauty might declare."
Ancient Mariner, Part IV. lines 282, 283.
There is, too, in these lines (352-354), as in many others, an echo of Wordsworth. In the Song at the Feast of Brougham Castle it is told how the "two undying fish" of Bowscale Tarn, and the "eagle lord of land and sea" ministered to the shepherd-lord. It was no wonder that the critics of 1816 animadverted on Byron's "communion" with the Lakers. "He could not," writes a Critical Reviewer (Series V. vol. iv. pp. 567-581), "carry many volumes on his tour, but among the few, we will venture to predict, are found the two volumes of poems lately republished by Mr. Wordsworth.... Such is the effect of reading and enjoying the poetry of Mr. W., to whose system (ridiculed alike by those who could not, and who would not understand it) Lord Byron, it is evident, has become a tardy convert, and of whose merits in the poems on our table we have a silent but unequivocal acknowledgment."]
- [Compare the well-known lines in Lovelace's "To Althea—From Prison"—
"Minds innocent and quiet take
That for an hermitage."]
- Here follows in the MS.—
Nor slew I of my subjects one— What sovereign
hath so little
yet so much hath