Castes and Tribes of Southern India/Thanda Pulayan
Thanda Pulayan.— For the following note, I am indebted to Mr. L. K. Ananthakrishna Aiyar.[1] The Thanda Pulayans constitute a small division of the Pulayans, who dwell in South Malabar and Cochin. The name is given to them because of the garment worn by the females, made of the leaves of a sedge, called thanda (apparently Scirpus articulatus), which are cut into lengths, woven at one end, and tied round the waist so that they hang down below the knees. The following story is told with regard to the origin of this costume. A certain high-caste man, who owned lands in those parts, chanced to sow seeds, and plant vegetables. He was surprised to find that not a trace of what he sowed or planted was to be seen on the following day. With a view to clearing up the mystery, he kept a close watch during the night, and saw certain human beings, stark naked, come out of a hole. They were pursued, and a man and a woman were caught. Impressed with a sense of shame at their wretched condition, the high-caste man threw his upper garment to the male, but, having nothing to give as a covering for the woman, threw some thanda leaves over her. The Thanda Pulayans are also called Kuzhi Pulayans, as they were found emerging from a pit (kuzhi). The leafy garment is said to be fast going out of fashion, as Māppillas, and others who own the Pulayans, compel them to wear cotton cloths. According to the Rev. W. J. Richards, a division of the Pulayans, who are called Kanna Pulayans, and found near Alleppey, wear rather better, and more artistically made aprons.[2]
The following legend is current regarding the origin of the Thanda Pulayans. In the south, the Pulayans are divided into the eastern and western sections. The former were the slaves of Duryodhana, and the latter were attached to the Pandus. These formed the two rival parties in the war of the Mahabaratha, and the defeat of Duryodhana was the cause of their degradation.
The Thanda Pulayans appear to have been the slaves of the soil till 1854, when they were emancipated. Even now, their condition has not undergone much material improvement. Though they are left more to themselves, they still work for farmers or landlords for a daily wage of paddy (unhusked rice). If they run away, they are brought back, and punished. There is a custom that, when a farmer or landlord wants a few Pulayans to work in the fields, he obtains their services on payment of fifteen to twenty rupees to them, or to their master. When a Pulayan's services are thus obtained, he works for his new master for two edangalis of paddy a day. They can obtain their liberation on the return of the purchase-money, which they can never hope to earn. Having no property which they can claim as their own, and conscious perhaps that their lot will be the same wherever they go, they remain cheerful and contented, drudging on from day to day, and have no inclination to emigrate to places where they can get higher wages. The Cherumars of Palgāat, on the contrary, enjoy more freedom. Many go to the Wynād, and some to the Kolar gold-fields, where they receive a good money-wage. The Thanda Pulayans work, as has been said, for some landlord, who allows them small bits of land. The trees thereon belong to the master, but they are allowed to enjoy their produce during their residence there. When not required by the master, they can work where they like. They have to work for him for six months, and sometimes throughout the year. They have little to do after the crop has been garnered. They work in the rice-fields, pumping water, erecting bunds (mud embankments), weeding, transplanting, and reaping. Men, women, and children may be seen working together. After a day's hard work, in the sun or rain, they receive their wages, which they take to the nearest shop, called mattupitica (exchange shop), where they receive salt, chillies, etc., in exchange for a portion of the paddy, of which the remainder is cooked. The master's field must be guarded at night against the encroachment of cattle, and the depredations of thieves and wild beasts. They keep awake by shouting aloud, singing in a dull monotone, or beating a drum. Given a drink of toddy, the Pulayans will work for any length of time. It is not uncommon to see them thrashed for slight offences. If a man is thrashed with a thanda garment, he is so much disgraced in the eyes of his fellowmen, that he is not admitted into their society. Some improve their condition by becoming converts to Christianity. Others believe that the spirits of the departed would be displeased, if they became Christians.
The Thanda Pulayan community is divided into exogamous illams, and marriage between members of the same illam is forbidden. Their habitations are called matams, which are miserable huts, supported on wooden posts, sometimes in the middle of a paddy field, with walls of reeds, bamboo mats or mud, and thatched with grass or cocoanut leaves. A few earthen pots, bamboo vessels, and cocoanut shells constitute their property. They are denied admission to the markets, and must stand at a distance to make their purchases or sales.
Pulayan girls are married either before or after attaining puberty, but there is special ceremony, which is performed for every girl during her seventh or eighth year. This is called thanda kalyānam, or thanda marriage. It consists in having the girl dressed at an auspicious hour in the leafy garment by a woman, generally a relative, or, in her absence, by one selected for the purpose. The relations and friends are entertained at a feast of curry and rice, fish from the backwater, and toddy. Prior to this ceremony, the girl is destitute of clothing, except for a strip of areca bark. At the marriage ceremony, the tāli (marriage badge) is made of a piece of a conch shell (Turbinella rapa), which is tied on the bride's neck at an auspicious hour. She is taken before her landlord, who gives her some paddy, and all the cocoanuts on the tree, beneath which she happens to kneel. When the time has come for her to be taken to the hut of the bridegroom, one of her uncles, taking her by the hand, gives her into the charge of one of her husband's uncles. On the third morning, her paternal and maternal uncles visit her at the hut of the bridegroom, by whom they are entertained. They then return, with the bride and bridegroom, to the home of the former, where the newly-married couple stay for three days. To ascertain whether a marriage will be a happy one, a conch shell is spun round. If it falls to the north, it predicts good fortune ; if to the east or west, the omens are favourable ; if to the south, very unfavourable.
The Thanda Pulayans follow the makkathāyam law of inheritance (from father to son). They have their tribal assemblies, the members of which meet together on important occasions, as when a woman is charged with adultery, or when there is a theft case among them. All the members are more or less of equal status, and no superior is recognised. They swear by the sun, raising their hands, and saying "By the sun I did not." Other oaths are " May my eyes perish "or "May my head be cut off by lightning."
Every kind of sickness is attributed to the influence of some demon, with whom a magician can communicate, and discover a means of liberation. The magician, when called in professionally, lights a fire, and seats himself beside it. He then sings, mutters some mantrams (prayers), and makes a discordant noise on his iron plate (kokkara). The man or woman, who is possessed by the demon, begins to make unconscious movements, and is made to speak the truth. The demon, receiving offerings of fowls, sheep, etc., sets him or her free. A form of ceremonial, called urasikotukkuka, is sometimes performed. At a place far distant from the hut, a leaf, on which the blood of a fowl has been made to fall, is spread on the ground. On a smaller leaf, chunam (lime) and turmeric are placed. The person who first sets eyes on these becomes possessed by the dem6n, and sets free the individual who was previously under its influence. In the event of sickness, the sorcerer is invited to the hut. He arrives in the evening, and is entertained with food, toddy, and betel. He then takes a tender cocoanut, flower of the areca palm, and some powdered rice, which he covers over with a palm leaf. The sick person is placed in front thereof, and a circle is drawn round him. Outside the circle, an iron stylus is stuck in the ground. The demon is supposed to be confined within the circle, and makes the patient cry out "I am in pai (influence of the ghost) and he is beating me," etc. With the promise of a fowl or sheep, or offerings thereof on the spot, the demon is persuaded to take its departure. Sometimes, when the sorcerer visits a house of sickness, a rice-pan containing three betel leaves, areca nuts, paddy, tulsi (Ocimum sanctum), sacred ashes, conch and cowry (Cypræa moneta) shells, is placed in the yard. The sorcerer sits in front of the pan, and begins to worship the demon, holding the shells in his hands, and turning to the four points of the compass. He then observes the omens, and, taking his iron plate, strikes it, while he chants the names of terrible demons, Mullva, Karinkāli, Aiyinar, and Villi, and utters incantations. This is varied by dancing, to the music of the iron plate, sometimes from evening till noon on the following day. 
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When a member of the tribe has died an unnatural death, a man, with a fowl and sword in his hands, places another man in a pit which has been dug, and walks thrice round it with a torch. After an hour or two, the man is taken out of the pit, and goes to a distance, where certain ceremonies are performed.
The Thanda Pulayans worship the gods of Brahmanical temples at a distance of nearly a quarter of a mile. A stone is set up in the ground, on which they place tender cocoanuts and a few puttans (Cochin coins). A temple servant takes these to the priest, who sends in return some sandal paste, holy water, and flowers. They worship, as has been already hinted, demons, and also the spirits of their ancestors, by which small brass figures of males and females representing the pretas (ghosts) are supposed to be possessed. They worship, among others, Kandakarnan, Kodunkāli, Bhairavan, and Arukola pretas, who are lodged in small huts, and represented by stones. In the month of May, they celebrate a festival, which lasts for several days. Chrysanthemum and thumba (apparently Leucas aspera) flowers are used in the performance of worship, and paddy, beaten rice, tender cocoanuts, toddy, etc., are offered up. There is a good deal of singing, drum-beating and devil-dancing by men and women, who on this occasion indulge liberally in toddy. The Pāndavas, whom they call Anju Thamburakkal, are favourite deities. They devise various plans for warding off the evil influence of demons. Some, for example, wear rolls of palm leaf, with incantations written on them, round their necks. Others hang baskets in the rice fields, containing peace offerings to the gods, and pray for the protection of the crop. Wherever there is a dense forest, Mātan and Kāli are supposed to dwell, and are worshipped. From the end of November to April, which is the slack season, the Thanda Pulayans go about dancing from hut to hut, and collecting money to purchase fowls, etc., for offerings. Club-dancing is their favourite amusement, and is often indulged in at night by the light of a blazing fire. The dancers, club in hand, go round in concentric circles, keeping time to the songs which they sing, striking each other's clubs, now bending to ward off a blow on the legs, or rising to protect the head.
The dead are buried, and lighted torches are set up all round the grave, on to which the relations of the dead person throw three handfuls of rice. Near it, squares are made in rice flour, in each of which a leaf with rice flour and paddy, and a lighted torch or wick is placed. The chief mourner, who should be the son or nephew, carrying a pot of water, goes several times round the grave, and breaks the pot over the spot where the head rests. A few grains of rice are placed at the four corners of the grave, and a pebble is laid on it, with mantrams to keep off jackals, and to prevent the spirit from molesting people. Every morning the chief mourner goes to the grave, and makes offerings of boiled rice, gingelly {Sesamum indicum) seeds, and karuka grass. On the fourteenth day, he has an oil-bath, and, on the following day, the Pulayans of the village (kara) have a feast, with singing and beating of drums. On the sixteenth day, which is pulakuli or day of purification, the chief mourner makes offerings of rice balls, the guests are fed, and make a present of small coin to the songster who has entertained them. Similar offerings of rice balls are made to the spirit of the deceased person on the new-moon day in the month of Kartigam. During the period of pollution, the chief mourner has to cook his own food. The spirits of deceased ancestors are called Chavar (the dead), and are said to manifest themselves in dreams, especially to near relations, who speak in the morning of what they have seen during the night. They even say that they have held conversation with the deceased. The Rev. W. J. Richards informs us that he once saw "a little temple, about the size of a large rabbit-hutch, in which was a plank for the spirits of the deceased ancestors to come and rest upon. The spirits are supposed to fish in the backwaters, and the phosphorescence, sometimes seen on the surface of the water, is taken as an indication of their presence."[3]
The Thanda Pulayans will not eat with the Ullādans or Parayans, but stand at a distance of ninety feet from Brāhmans and other high-caste people. They are short of stature and dark-skinned. Like the Cherumans, the women adorn their ears, necks, arms and fingers with masses of cheap jewellery.