Reviews and Notes 459 append the following additional items, without any thought that either Mr. Clark or the reviewer should aspire to complete- ness. Under Aristotle (p. 5): H. Gartelmann: Dramatische Kritik des Aristotelischen Systems (1892). F. Knoke: Begri/ der Tragodie nach Aristotles (1906). G. R. Noyes: " Aristotle and Modern Tragedy," Mod. Lang. Notes, 13:6 (1898). C. V. Boyer: The Villain as Hero (London, 1914). Lane Cooper: "The Fifth Form of 'Discovery' in the Poetics," Classical Philology, 13:251 (1918). Under Elizabethan Drama (p. 102): A. W. Ward: History of Dramatic Literature (London, 2d ed., 189Q). A. H. Thorndike: "The Relations of Hamlet to Contempor- ary Revenge Plays," Pub. Mod. Lang. Assn., 17:125 (1902). Under Sidney (p. 103): Ewald Flugel, edition of the Defence of Poesie (Halle, 1889). G. E. Woodberry, edition of the Defence (Boston, 1908). M. W. Wallace: Life of Sidney (Cambridge, 1915). Under Jonson (p. 108): W. D. Briggs, edition of Sejanus (Boston, 1911). [Important introduction on Jonson's dramatic theory.] On French criticism in the 17th century (p. 116): H. C. Lancaster: "A Neglected Passage on the Three Unities of the French Classic Drama," Pub. Mod. Lang. Assn., 23:307 (1908). R. M. Alden: "The Doctrine of Verisimilitude in French and English Criticism of the 17th Century," Matzke Memorial Volume (Stanford University, 1911). On Chapelain (p. 125): C. Searles: Catalogue de tons les limes de feu M. Chapelain (Stanford University, 1912). On Corneille (p. 138): C. Searles: "Corneille and the Italian Doctrinaires," M od. Philology, 13:169 (1915). On English drama and criticism of the Restoration and 18th century (p. 173): A. W. Ward (as above under Elizabethan drama). A. W. Ward, edition of Lillo's London Merchant and Fatal Curiosity (Boston, 1906). [Important introduction on bour- geois and fate tragedy.] T. R. Lounsbury: Shakspere as a Dramatic Artist (N. Y., 1901). G. B. Dutton: "Theory and Practice in English Tragedy,
1650-1700," Eng. Stud., 49:190 (1916).
