sitting around about the ladies' saloon, quietly reading, sewing, embroidering, and so on, and among them sat a sweet, benignant old dame with round spectacles on her nose and her busy knitting-needles in her hands. Now all of a sudden, into the midst of this peaceful scene burst that slim-shanked boy in the brief shirt, wild-eyed, erect-haired, and shouting.
"Fire, fire! jump and run, the boat's afire and there ain't a minute to lose!" All those ladies looked sweetly up and smiled, nobody stirred, the old lady pulled her spectacles down, looked over them, and said, gently,—
"But you mustn't catch cold, child. Run and put on your breast-pin, and then come and tell us all about it."
It was a cruel chill to give to a poor little devil's gushing vehemence. He was expecting to be a sort of hero—the creator of a wild panic—and here everybody sat and smiled a mocking smile, and an old woman made fun of his bugbear. I turned and crept humbly away—for I was that boy—and never even cared to discover whether I had dreamed the fire or actually seen it.
I am told that in a German concert or opera, they hardly ever encore a song; that though they may be dying to hear it again, their good breeding usually preserves them against requiring the repetition.