Page:A Dictionary of Music and Musicians vol 4.djvu/847
i. 15505; Burney, i. : Catch Club, i. 3226; Cibbe (Susanna), i. 3570;; Drur Lane, i. 4666; Eng. Opera i. 48905 ; God save the King i. 60605; HaleVy, i. 645 a note; Judith, ii. 4405; Kla vier Mus., Alte, ii. 63 b Lowe (T.),ii. 17005 ; Madriga Soc., ii. 1936; Manzuoli, ii 20805; Mountier, ii. 377b Mus. Lib., ii. 4206 ; Olim piade, ii. 4966; Opera, ii 5236; Oratorio, ii. 54905; Pantomime, ii. 64605; Part- Mus., ii. 6566, etc. ; Pur- cell (H.), iii. 4905; Ranelagh House, iii. 746 ; Royal Soc. ol Brit. Mus., iii. 18705; Rule Britannia, iii. 2036 ; Salomon iii. 2 21 a; Schools of Comp. iii. 291 05 ; Sonata, iii. 563 6 ; Song, iii. 606 6 ; Sym. >hony, iv. 14 6 ; Tenducci G.), iv. 85 b; Vauxhall Gar- ens, iv. 233 6 ; Vocal Scores, iv. 31 9 b, etc.; Voices, iv. 3346 ; Walsh (J., jun.), iv. 380 b; Brent (Charlotte), iv.
563*-
ARNOLD, C., PF. Mus., ii. 728 b; Wiillner, iv. 4916.
ARNOLD, F. W., Jahrbucher, ii. 306 ; Volkslied, iv. 3376.
ARNOLD, J. G., i. 856.
ARNOLD, S., i. 856; iv. 5236; Acad. of Ancient Mus., i. 106; Accidentals, i. 20 a; Accom- paniment, i. 246 ; Ancient Concerts, i. 24 b; Ayrton(W.), i. 1 07 a; Beale, i. 15805; Call- cott, i. 29805 ; Cutler (W.), i. 4246; Eng. Opera, i. 48905; Glee Club, 1.59905; Jacob (B.), ii. 28 a ; Knyvett (W.), ii.67 6 ; Linley (Th., sen.), ii. 1436; Loder(E.), ii. 1586; Lyceum Theatre, ii. i8ob; Maryle- bone Gardens, ii. 224b ; Mus. Lib., ii. 4216; Opera, ii. 524b; Page (J.), ii. 632 b; Pinto (T.), ii. 754 05; Rim- bault, iii. 1 35 a ; Russell (W.), iii. 205 b ; Salomon, iii. 221 a; Schools of Comp., iii. 29105; Scott (J.), iii- 4526; Service, iii. 474 b ; Smart (Sir G.), iii. 53705; Song, iii. 606 b.
ARNOLD, S. J. ; Barnett (J.), i. 406 ; English Opera, i. 4896; Lyceum Theatre, ii. 181 a.
ARNOLD, Y. von ; Hist, of Mns., iv. 6766.
ABNOULD, Sophie, i. 866; Horn, i. 7486.
��INDEX.
ARNOULT, Mme. ; Phillips, iv 747 b.
ARON. (See AARON, i. ia.)
ARPEGGIO, i. 87 a ; Agre"mens, 44 a; Henselt, i. 73005; PF. playing, ii. 741 05.
ARPEGGIONE, i. 89 a ; Schubert iii. 3416; Violin, iv. 2746 28 1 a, note.
ARRANGEMENT, i. 89 a ; ^.5236 Score, Arranging from, iii 435 >' Vivaldi, iv. 318 05, note Transcription, iv. 80005.
ARRHEN, V. K. ; Song, iii. 6106
ARRIAGA, J. C. D', i. 95 05.
ARRIGONI, C., i. 950.
ARRIGONI,L.; Mus. Instruments Collections of, iv. 7226.
ARSIS AND THESIS, i. 956 Accent, i. 1205; Beat, 1.15905; Thesis, iv. ioia; Time-Beat- ing, iv. 1226.
ARTABIA, i. 956; iv. 5236 Beethoven, i. 18205 ; Diabelli i. 44205; Haydn, i. 7076; Schubert, iii. 34505.
ARTAXERXES, i. 9605; iv. 5236; Gluck, i. 600 b.
ARTEAGA, S. i. 96 a; Fork el, i. 5406; Song, iii. 59105; Hist, of Mus., iv. 675 6.
ART OP FUGUE, THE, i. 96 05 ; Bach (J. S.), i. 11705 ; Fugue, i. 5696; Kunst der Fuge , ii. 7705; Tonal Fugue, iv. 13605.
ARTOT, A. J., iv. 52 $b ; Damor- eau-Cinti, 1.428 b; Phil. Soc., ii. 700 a ; Violin-playing, iv. 289; Osborne (G. A.), iv.
737-
RTOT, M., iv. 52405; Lamperti,
ii. 8905; Viardot Garcia, iv.
26005. IRTUSI, G. M., i. 966; Monte-
verde, ii. 35805; Zinke, iv.
511 a; Mus. Lib. iv. 725 b. IRWIDSSON, i. 96 b ; Afzelius,
i. 41 b; Song, iii. 6106. ASANTSCHEWSKY, M. von, i.
966; iv. 5246; P. F. Mus., ii.
��ISCANIO IN ALBA, i. 97 05 ;
Mozart, ii. 402 b. ASCENDING SCALE, i. 97 05 ; Scale,
iii. 2366. ASCHER, J., i. 976; iv. 5246;
PF. Mus. ii. 734 b. ASHDOWN & PARRY, iv. 524^
(See WESSEL, iv. 4486.) ASHE, A., i. 97 6 ; Philh. Soc., ii.
69805. ASHER, Clara; Philh. Soc. iv.
7 4 6b. ASHLEY, C. J., i. 986; Glee
��Club, i. 59901; Philh. Soc., ii. 69805; Secco Recitative, iii.
455*-
ASHLEY, G., i. 986 ; iv. 524^ ASHLEY, J., i. 98 b. ASHLEY, J., 98 a; iv. 5246;
Salomon (J. P.), iii. 22 ib. ASHLEY, J. J., i. 98 b; iv. 524^
Salmon (Mrs.), iii. 22oaj
Smith (Chas.), iii. 5390:. ASHLEY, R., i. 9 8b; iv. 524^ ASHWELL, T., i. 99 a ; Mus. Lib.,
ii. 41 7 b, etc. ; Part-Books, iv.
74005. ASIOLI, B., 1.9905; iv. 5248; In
questa Tomba oscura, ii. \a\
Milan, ii. 32905; Pasta, ii.
6676; Song, iii. 590 5. ASIOLI, G. ; Catelani (A.), i.
��ASOLA, G. M., i. 99 a ; Mus. Di-
vina, ii. 411 a; Oriana, ii.
6 1 1 6 ; Requiem, iii. 109 b ;
Dies Irse, iv. 614^; Mus.
Lib., iv. 7 26 a. ASPERGES; Plainsong, ii. 7676. ASPULL, G., i. 9905; iv. 5246. ASSAI, i. 996 ; Tempo, iv. 8305. ASSANDRI ; Laporte, ii. 916. ASSMAYER, I., i. 996; Eccle-
siasticon, i. 48205; Vater-
landische Kiinstlerverein, iv.
8076. A.STON,H., 1.996; Mus.Antiqua,
ii. 411 a; Mus. Lib., ii.
42 2 a. A.STORGA, E. d', 1.996; iv. 52501;
Auswahl, i. 10505; Cantata,
i. 305 a; Latrobe, ii. 1026;
Rochlitz, iii. 14205; Stabat
Mater, iii. 685 05. A. TEMPO, i. iooa ; A battuta, i.
16; Battuta, i. 157 a. ATHALIA, i. iooa. ATHALIE,I. loob; Mendelssohn,
ii. 281 a, etc. ATTACCA, i. loob; Segue, iii.
45 7 a. ATT ACCO, iv. 5250; Subject, iii.
7486; Andamento, iv. 522 a;
Soggetto, iv. 7946.
TTACK, i. lOOb.
^.TTAIGNANT, P., i. ioo6 ; Leroy, ii. 1 23 a; Motet, ii. 3746; Mus. -printing, ii. 435 b; Nota- tion, ii.474b; Schools of Comp., iii. 267a.
^.TTERBURY, L., i. JOO6; iv.
525; Catch Club, i. 322b;
Glee Club, i. 599 a ; Mus. Lib.,
ii. 420 a ; Part-Mus., ii. 6566,
etc.
TTEY, J., i. ioia; iv. 5 25 a;
Este (T.), i. 496 a. .TTwood, T., i. ioia; iv. 5250;
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