Page:A Dictionary of Music and Musicians vol 4.djvu/848

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Anthem, i. 72 a; Bridgetower, i. 2756; Concentores Sodales, i. 3836; Cooper (G.),i. 3986; Ella, i. 4860; English Opera, 1.4890; Glee, i. 599 a; God save the King, i. 607 a ; Goss (Sir J.), i. 6100; Hart (J.), i. 6930; Haydn, i. 708 ; Kelly, ii. 496; Mendelssohn, ii. 263 6, etc. ; Mozart, ii. 391 b, etc. ; Page (J.), ii. 632 b ; Pan- tomime, ii. 6460; Philh. Soc. ii. 698 a ; Pierson (H. H.), ii. 75 2 a ; Potter (Cip.), iii. 23 a ; Roy. Acad. of Mus., iii. 1850 ; Schools of Comp., iii. 308 6 ; Service, iii. 4736; Steibelt, iii. 701 a; Walmisley (T. F.), iv. 378a. AUBADE, i. ioiJ; Chanson, i.

335*-

AUBER, D. F. E., i. 1016; iv. 5256; Acade'mie de Mus., i. 90 ; Ambassadrice, L', i. 59 a; Barcarole, i. 1386; Bassoon, i. 1546; Batton, i. 157 a; Bayaderes, i. 1576; Chaperons blancs, i. 339 5; Cheval de Bronze, i. 3446; Circassienne i. 359a;Con- serv. de Mus., i. 392 a; Crown Diamonds, i. 4210, 442 b; Damoreau, i. 428 6 ; Diamants de la Couronne, i. 442 6 ; Domino Noir, i. 452 b ; Evers, i. 4980 ; Fra Diavolo, i. 5576 ; Goulding and Dalmaine, i. 6126; Grand Opera, i. 6170; Gustave trois, i. 641 6 ; Hay- de"e, i. 7006; Herold, i. 7316; Jenny Bell, ii. 336; Lac des F^es, Le, ii. 816; Leocadie, ii. 12105; Lucca, ii. 1 71 a; Macon, Le, ii. i87a; Masaniello, ii. 2246; Massd, ii. 235 & ; Mendels- sohn, ii. 2576; Muette de Portici, La, ii. 4076; Mus. Lib., ii. 4240 ; Neige, La, ii. 4510; Opera, ii. 5230, etc.;

��INDEX.

Overture, ii. 622 & ; Parisienne La, ii. 6496 ; Part du Diable, ii.653a; Philtre, Le,ii. 706*; Pitch, ii. 758 a, note; Pleyel (Mme.), iii. 3 b ; Roger (G. H. ), iii. 1446; Rossini, iii. 1706; St. Georges (Marquis De), iii. 2136; Schools of Comp., iii. 30305, etc. ; Scribe, iii. 45305; Sedie (E. delle), iii. 4566; Sirene, La, iii, 5186; Spontini, i. 6816 ; Tarantella, iv. 596; Templeton (J.), iv. 820; Thillon (Anna), iv. 1020; Zanetta, iv. 499 b ; Zerline, iv. 506 b ; Bazin, iv. 532 b ; Levey (W. C.), iv. 700 i.

AUBEKT, J., i. 103 b ; Violin-play- ing, iv. 289, 8i2&.

AUBERT, L., i. 1036; Violin- playing, iv. 289.

AUBERT, P. F. O., i. 1036.

ADDBAN, E., iv. 5256.

AUER, L., i. 1036 ; Miiller (The Brothers), ii. 4080; Philh. Soc.,ii. 700 a; Violin-playing, iv. 29805.

AUGARTEN, 1. I04; iv. 5256;

Mozart, ii. 3890. AUGENER & Co., iv. 525 b ; Mus.

printing, iv. 7270. AUGMENTATION, i. 1046 ; Amen,

i. 6ob; Canon, i. 3040; Coun- terpoint, i. 409 a ; Imitation, i.

766 a; Tonal Fugue, iv. 137*. AUGMENTED INTERVAL, i. 1046 ;

Harmony, i. 6820; Interval,

ii. 1 2 a ; Italian sixth, ii. 26 a ;

Ninth, ii. 459 a; Octave, ii.

4916; Root, iii. 1586; Penta-

tonon, iv. 745 b. AULETTA; Metastasio, ii. 3160. AURENHAMMER, Josepha ; P. F.-

playing, ii. 744. AUSTEN ; Mus. Lib., ii. 4176. AUSTIN, Mrs. ; Cooke (T. S.), i.

3980; Mendelssohn, ii. 2796,

302 &, note.

AUSWAHL VORZUGLICHER Mu-

SIK-WBRKE, i. 1050.

��AUTHENTIC, i. 1050; ^Eolian Mode, i. 396; Cadence, i. 2910; Dorian, i. 4546; Gre- gorian Modes, i. 6260; Hy- per, i. 7646; Modes Eccles., ii. 341 b ; Participant, ii. 655 b : PlagalModes, ii. 7600.

AUXCOUSTEAUX, A. D', i. 1056.

AUXILIARY-NOTE; Appoggiatura, i. 75

AVERT, J., i. 1056; Organ, ii. 598*.

AVIA; Alfieri, iv. 5200, note.

AVISON, C., i. io6a; iv. 52605; Ancient Concerts, i. 646; Hayes (W.), i. 7230; Ross (J.), iii. 162*; Shield (W.), iii. 48705.

AVOGLIO, Signora, i. io6a; Handel, i. 651 a; Messiah, ii. 315

AVVERTIMENTO AI GELOSI, i.

1 06 b; Balfe, i. 12705.

AYLEWARD, R.; Mus. Lib., ii. 421 a.

AYLWARD, T., i. io6J; iv. 5260;; Adcock (J.), i. 30 a; Clark (R.), i. 36505; Glee Club, i. 599 a; Gresham Mus. Pro- fessorship, i. 6276; Madrigal Soc., ii., 1936; Oxford, ii. 6246.

AYRER, J. ; Singspiel, iii. 5166.

AYRTON, E., i. 106 b; Arnold (S), i. 866 ; Attwood, i. ioia; Carnaby(W.),i. 31605; Schools of Comp., iii. 286 6, note ; Smart (Sir G. ), iii. 537 a; Smith (C.), iii. 539 a.

AYRTON, W., i. 10705; Har- monicon,i. 6636; Philh. Soc., ii. 698 05 ; Harmonious Black- smith, iv. 6670.

AYTON, Fanny, iv. 5260.

AZOR AND ZEMIBA, i. 1076; Spohr, iii. 6646. (See ZE- MIRE.)

AZZOPARDI, F. iv. 5260; Imi- tation, i. 766 a ; Inversion, ii. i6l>; Isouard, ii. 240.

��B, i- 107*; Accidentals, i.

190, etc.; Alphabet, i. 570;

B molle, B dur, i. 1076; H.

1.6430; Hexachord.i. 7340;

Notation, ii. 47405; Si, iii.

490 a ; Transpos. of Eccles.

Modes, iv. 161 b ; Zacconi, iv.

497 b. BAADKR, C. ; Zeugheer, iv. 5070.

��B.

��BABAN, G., i. io8a; Eslava, i. 4946.

BABBINI, M., i. io8a; iv. 5260;; Rossini, iii. 1646 ; Tacchinardi, iv. 51 b ; Tadolini, iv. 516.

BABELL, W.,i. 2870; Transcrip- tion, iv. 800 a, etc.

BACCUSI, L, i. 1 08 a; Oriana,

��ii. 6116; 7 26 a.

��Mus. Lib., iv.

��BACH, A. W. ; Commer, i. 3806 ; Haupt, i. 6970.

BAOH, Christoph, i. no a.

BACH, C. P. Emanuel, i. 1130; Agre'mens, i. 42 & ; Appoggia- tura, i. 756; Appoggiatura, double, i. 79 a; Arpeggio, i. 876; Auswahl, i. 1050; Be- bung, i. i6o&; Beethoven, i. i7o&;,Briegel,i. 2760; Btilow,

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