Page:A Dictionary of Music and Musicians vol 4.djvu/996

From Wikisource
Jump to: navigation, search
This page needs to be proofread.


156

STROZZI, Barbara ; Ferrari (B.), i. 5136; Opera, ii. 503 b.

STROZZI, G. B. ; Bardi, i. 139 a; Florence, i. 5 33 a.

STROZZI, P. ; Peri, ii. 6906.

STRUCK; Haydn, i. 7166.

STRUCK, J. B. (See BAPTISTIN, i. 1366.)

STRUENSEE, iii. 7466; Meyer- beer, ii. 3236.

STRUNCK, N. A. ; Mus. Lib., ii. 427 a ; Opera, ii. 508 a ; Violin- playing, iv. 289 ; Zachau, iv. 4986; Zenobia, iv. 50605.

STRUNGK. (See STRUNCK.)

STDBBS, S. ; Hymn, i. 7626; Psalter, iv. 763 a.

STUDIES, iii. 7466. (See under ETUDES, i. 4966.)

STUCK, iii. 747 a.

STUTZFLUGEL ; Fliigel, i. 5356.

STUMPFP, J.; Beethoven, i. 1646; Dragonetti, i. 46 2 a.

STURIONI; Milan, ii. 32905.

STUTTERHEIM, Baron J. von, iii. 747 a; Beethoven, i. 2006.

STUTTGARDT CONSERVATORY M, iii. 747 a; Lebert, iii. 691 a; Speidel, iii. 6500, etc. ; Stark, iii. 6906.

SUABB FLUTE ; Organ, ii. 601 a.

SUARD ; Gluck, i. 603 a.

SUBDIAPENTE, iii. 747 & ; Dia- pente, i. 442 b.

SUBDOMINANT, iii. 7476; Har- mony, i. 6766.

SUBJECT, iii. 7476; Arsis and Thesis, i. 95 b ; Augmentation, i. 104 b ; Counterpoint, i. 4090;; Development, i. 4416 ; Dux, i. 477 b ; Form, i. 541 a ; Fugue, i. 5670;, etc. ; Leit- Motif, ii. 11605; Motif, ii. 377 a; Proposta, iii. 43 a; Risposta, iii. 137 a; Soggetto, iii. 5456; Sonata, iii. 5550, etc. ; Theme, iv. 99 b, etc. ; Tonal Fugue, iv. 1346, etc. ; Andamento, iv. 522 a; At- tacco, iv. 5250.

SUBMEDIANT, iii. 753 J.

SUBSIDIARY, iii. 7536 ; Form, i. 544 b, etc.

SUCCENTOR, iii. 7 54 a.

SUCCES D'ESTIME, iii. 7546.

SUCHANEK ; Song, iii. 6146.

SUCHER, J., iii. 7546 ; iv. 7970; Sechter, iii. 456 a.

SUCHER, R,, iii. 7546; iv. 797 a.

SUSSMAYER, F., iii. 7540; Beet- hoven, i. 1 77 a, etc.; Haydn (M.), i. 701 a; Mozart, ii. 3940, etc.; Opera, ii. 5206; Requiem, iii. uoa,etc. ; Vogl

��INDEX.

(J.M.), iv. 3236; Walsegg, iv. 3800; Mozart, iv. 721 a.

SUGDEN, D. ; Sunderland, iv. 7976.

SUIDELL ; Latrobe, ii. 1036.

SUITE, iii. 755 a; Allemande, i. 55 a; Bifaria, i. 24105; Bour- ree, i. 26405; Chamber Mus., i. 332 a; Concerto, i. 3870;; Couperin, i. 409 6; Courante, 1.4106; Dance Mus., i. 42905; Doubles, i. 460 a ; Form, i. 543 b, etc.; Gigue, i. 595*; Lesson, ii. 1240; March, ii. 211 i; Minuet, ii. 3336, etc. ; Overture, ii. 6236 ; Partie, ii. 65605; Passepied, ii. 6626; Prelude, iii. 28* ; Relation, iii. 1056 ; Siciliana, iii. 491 b ; So- nata, iii. 554&, etc. ; Symphony, iv. I2&, etc.; Trio, iv. 1726 ; Variations, iv. 2190;, etc.; Violin-playing, iv. 2900; ; Al- ternativo, iv. 52105; Dance Rhythm, iv. 60705; Ordres, iv. 735 a.

SULLIVAN, A. S., iii. 7610;; iv. 797 6 ; Additional Accompani- ments, i. 316; Cox and Box, i. 41305; Elegy, i. 4856; English Opera, i. 489 6 ; Hauptmann, i. 6980; ; Hymn, i. 7640; ; lie Enchanted, L', i. 7650; Leipzig, ii. 1 1 5 & ; Light of the World, The, ii. 13805 ; Mendelssohn Scholarship, ii. 3iob ; National Training School, ii. 4476; Opera, ii. 5246; Operetta, ii. 5316; Oratorio, ii. 55805 ; Oxford, ii. 6246; Part-Song, ii. 65905; Patter-Song, ii. 6736; Pina- fore, H.M.S., ii. 7530 ; Pi- rates of Penzance, ii. 75605 ; Prodigal Son, The, iii. 32 b; Rataplan, iii. 78 a ; Saint Anne's Tune, iii. 2 1 3 a, ; Schools of Comp., iii. 3060, etc.; Song, iii. 6086; Te Deum, iv. 690; Tempest, iv. 816; Tempo di Ballo, iv. 8505; Thespis, iv. loia; Thomas (A. G.), iv. 1036; Training School for Mus., iv. 1580; Trial by Jury, iv. 1690 ; Zoo, The, iv. 5135 ; Glockenspiel, iv. 6486; Leeds Festival, iv. 6986; Mikado, The, iv. 7190; Philh. Soc., iv. 74705; Princess Ida, iv. 7516; Rud- dygore, iv. 7776 ; Yeomen of the Guard, iv. 81805.

SULLIVAN; Kneller Hall, ii.666, note.

SUL PONTICELLO, iii. 7646.

��1 SULZER, S., iii. 7646 ; Diet, of Mus., i. 446 a; Kirnberger, ii. 6205; Seyfried, iii. 4786.

SUMER IS ICUMEN IN, iii. 7650 J

Ballad, i. 12905; Harmony, i.

6726; Hawkins, i. 7006;

Madrigal, ii. 188 a ; Mus.

Antiqua, ii. 41105; Round,

iii. 1790, etc. ; Song, iii. 600 b,

etc. ; Subject, iii. 751 b, note;

Villanella, iv. 26505, note;

Burney, iv. 570 b ; Dunstable

iv. 6 1 9 b ; Franco (of Cologne) ,

iv. 6420.

SUNDEELAND, Mrs., iv. 797 b. SUNDT, H. ; Kjerulf, iv. 6910,

note.

SUPERTONIC, iv. 36. SUPPE, F. von, iv. 36 ; Seyfried,

iii. 478 b. SURIANO. (See SORIANO, iii.

6386.) SURMAN, J., iv. 4a; London

Sacred Harmonic Soc., ii.

1630; Melophonic Soc., ii.

25205; Sacred Harmonic Soc.,

iii. 2ioa; Three Choirs, iv.

ii 2 b. SURSUM CORDA; Service, iii.

472 b; Plain Song, ii. 7676. SUSANNA, iv. 4b; Handel, i.

65 1 b.

SUSATO. (See TYLMAN, iv. 1 960.) SUSINI ; Strakosch, iii. 7340:. SUSPENSION, iv. 4b ; Harmony,

i- 673b ; Melody, ii. 251 b;

Ninth, ii. 459 a, etc. ; Resolu- tion, iii. 11305; Retardation,

iii. 1 21 05; Root, iii. 15805;

Thoroughbass, iv. nob, etc. ;

Part- writing, iv. 742 b. SUTOR; Orpheus, ii. 613 a.

SVENDSEN, J. S., IV. 605J iv.

797 b ; Octet, ii. 492 a ; Song,

iii. 61105; Philh. Soc., iv.

74705; Rhapsody, iv. 772 a. SVENDSEN, 0., iv. 705; iv. 797 b;

Philh. Soc., ii. 7006. SWEELINCK, J. P., iv. 7& ; Eitner,

i. 48505; Gabrieli (A.), i.

57ib; Reinken, iii. 10305;

Vereeniging, etc., iv. 25505;

Virginal Mus., iv. 309 a ;

Waelrant, iv. 3446 ; Scheide-

mann (H.), iv. 781 b ; Scheidt,

iv. 7820; Vereeniging, etc.,

iv. 8110.

SWEETLAND, W., IV. 798 a.

SWELL (HARPSICHORD), iv. 8 b ; Broad wood, i. 27805; Harp- sichord, i. 6900; Shudi, iii. 4896; Stops, iii. 7186; Ve- netian Swell, iv. 2366.

SWELL ORGAN, iv. 8b; iv. 797 b; Organ, ii. 59605, etc.; Pedals,

�� �