Page:A Dictionary of Music and Musicians vol 4.djvu/997

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ii. 682 a ; Venetian Swell, iv. 236$.

SWEBT, J. de, iv. 8 1.

SWIETEN, G. Baron van, iv. ga; Acis and Galatea, i. 26 a ; Ad- ditional Accompaniments, i. 316; Beethoven, i. 1 67 a, etc. ; Creation, The, 1.41 5 a ; Haydn (M.), i. 702 a; Haydn, i. 7140 ; Mozart, ii. 38505, etc. ; Oratorio, ii. 551 a, etc.; Sea- sons, The, iii/ 453 b ; Weigl (J., jun.), iv. 432 a.

SWINNERTON HEAP, C., iv. 96, 798 a ; Mendelssohn Scholar- ship, ii. 31 1 a.

SWINY, 0., iv. 9 J ; Nicolini (N. G.),ii. 454 a.

SWOBODA; Polka, iii. 9 a.

SYEROFF, A. (See SEROFF, iii. 4690;.)

SYFERT, P.; Bernhard (Ch.), i.

235*.

SYLPHIDE, La, iv. ioa.

SYLVAN A, iv. loa. (See SIL- VANA, iii. 533 i.)

SYLVANUS, A. ; Doclecachordon, iv. 6i6a.

SYLVIA, iv. ioa ; Delibes, iv. 61 1 a.

SYMPATHETIC RESONANCE; Ana- lysis, i. 63?).

SYMPATHETIC STRINGS; Violin, iv. 278?), etc.

��INDEX.

SYMPHONIA ; Hurdy-Gurdy, i.

759 &

SYMPHONIQUES, ETUDES, iv. ioa; Schumann, iii. 392 b ; Varia- tions, iv. 2290;.

SYMPHONISCHE DICHTUNGEN, iv. 10 6; Liszt, ii. 1476.

SYMPHONY, iv. loJ; iv. 798 b Accompaniment, i. 22 b; Al- legro, i. 55 a; Analysis, i. 626 ; Beethoven, i. 203 a, etc.; Concert, i. 384*3; Double Bar, i. 4576; Eroica,i. 493a; Form, i. 547 a, etc. ; Gossec, i. 6ua ; Haydn, i. 71 2 i, etc. ; Intro- duction, ii. 13?), etc. ; Jupiter, ii. 466 ; Kirchen Cantaten, ii. 606; Mendelssohn, ii. 305 a; Minuet, ii. 334 a, etc. ; Mo- zart, ii. 400 a, etc. ; Overture, ii. 61 8 b, etc.; Relation, iii. 1056; Ritornello, iii. 137 a, etc. ; Scherzo, iii. 246 a, etc. ; Schools of Com p., iii. 289?); Schubert, iii. 3616, etc. ; Schumann, iii. 4126; Subject, iii. 7526; Variations, iv. 2176, etc. ; Working-out, iv. 4866, etc. ; Dance Rhythm, iv. 607 b.

SYMPHONY CONCERTS, iv. 798 b.

SYMPHONY ORCHESTRA, The Boston, iv. 430 ; Henschel, iv. 6716.

��157

SYMPHONY SOCIETY, New York,

iv. 43 a; Thomas (Th.), iv.

1 056. SYMPSON, C. , i v. 43 6 ; Agre'mens,

1.436; Division Violin, i. 45 ia;

Ground Bass, i. 6346 ; Haw-

kins, i. 7006; Mus. Lib., ii.

422 a; Mus. School, Oxford,

ii. 437 a; Play ford, iii. aa;

Violin, iv. 2786. SYNCOPATION, iv. 44 a ; iv. 798?) ;

Accent, i. 13 a; Bind, 1.243 a;

Hocket, i. 741 a ; Magyar

Mus., ii. 1976; Zacconi, iv.

4975. SYNTAGMA MUSICUM, iv. 44 6;

Clavichord, i. 3686; Prse-

torius (M.), iii. 25 a ; Tabla-

ture, iv. 4 7 a.

SYREN. (See SIREN, iii. 5176.) SYRINX; Organ, ii. 5736; Pan-

dean Pipes, ii. 6436. SYSTEM, iv. 45?) ; Stave, iii. 6916. SYVSPRING ; Song, iii. 609 a. SZALAY, J. de ; Vnterlandische

Kunstlerverein, iv. 808 a. SZARVADY. (See CLAUSS, 1.3660.) SZECHENYI, L. ; Schubert, iii.

��SZYMANOWSKA, Marie, iv. 45 b ; Philh. Soc., ii. 699 a; PF. Mus., ii. 7276; PF.-playing,. ii. 744.

��T.

��TABEL ; Harpsichord, i. 690 b.

TABLATURE, iv. 47 a ; Agricola (M.), i. 45 a; Alphabet, i. 57 a, note; Ballard, i. 1296; Lute, ii. 1 77 a; Mace, ii. 185!); Mus. Lib., ii. 4176, etc.; Notation, ii. 4670, etc. ; Petrucci, ii. 696 a ; Scotish Mus., iii. 441 b ; Skene MS., iii. 5236; Tappert, iv. 586; Galilei, iv. 6440 ; Part-books, iv. 7396.

TABLE ENTERTAINMENT, iv. 50 b ; Dibdin (C.), i. 4440 ; Phillips (H.), ii. 7056; Wilson (J.), iv. 463 a.

TABOR, iv. 51 a; Pipe and Ta- bor, ii. 7546.

TABORSKI AND PARSCH; Liszt, iv. 7040.

TABOUROT. (See ARBEAU, i. 806.)

TABRET; Tabor, iv. 51 a.

TACCHINARDI, N., iv. 51 a; iv.

��798 a ; Persiani, ii. 693 b ;

Singing, iii. 5106, etc. TACET, iv. 516. TADOLINI, G., iv. 51 b; Lumley,

ii. 1 74 a ; Mattel (S.), ii.

239; Rossini, iii. 1736;

Thillon, iv. 102 a ; Heinefetter,

iv. 67105. TAGLICHSBECK, T., iv. 52 a;

Mus. Lib., ii. 4246 ; Tenor-

violin, iv. 92 a ; Violin-play-

ing, iv. 289.

TAFALLA, P. ; Eslava, i. 4946. TAFEL-MUSIK; Part-books, iv.

��TAFEL-MUSIK ; Mozart, ii. 400 a. TAFFANEL, P. ; Soc. de Mus. de

Chambre, iii. 5436; Saint-

Sae'ns, iv. 779 a. TAGLIA ; Mus. Lib., ii. 41 9 a. TAGLIABUE; Boito, iv. 551 a. TAGLIAFICO, J. D., iv. 5 2 a. TAGLIAFICO, Mme., iv. 526. TAGLIAPIETBA ; Strakosch, iii.

��TAGLIONI; Intermezzo, ii. 96;

Laporte, ii. 916; Sylphide,

La, iv. ioa. TAGORE, S. M. ; Hist, of Mus.,

iv. 6746. TATLLE, iv. 52 b ; Tenor, iv. 866 ;

Tenor Violin, iv. 886. TAILLE DE BASSON ; Oboe di

Caccia, ii. 48905; Orchestra,

ii. 5636. TAILOUR, R. ; Este (T.), i. 496 a ;

Schools of Comp., iii. 2730,

note.

TAKT; Time, iv. 1176. TALEXY, A., iv. 526. TALISMANO, II, iv. 526; Balfe,

i. 1 28 a.

TALLIS. (See TALLYS.) TALLYS, T., iv. 526; iv. 798 a;

Accents, i. 176; Accompani- ments, i. 206, etc.; Alto, i.

58 a ; Anthem, i. 706 ; Arnold

(S.), i. 866 ; Barnard, i. 140 a ;

Bevin, i. 239 a ; Boyce, i.

268 a; Byrd, i. 2866, etc.;

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