Page:A complete course in dressmaking, (Vol. 1, Introduction) (IA completecoursein01cono).pdf/48

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A COMPLETE COURSE IN DRESSMAKING

What you want in material is not a texture that is so harsh that it flares away in an abrupt line from figure, but a pliant weave which will fall into soft graceful folds. But avoid the clinging line that is another danger point.

It’s a compliment to be called slim but never slinky. Don’t be tempted to eliminate your petticoat because your top skirt is a heavy weave. A frilly camisole too, will make your silk frock and your sheer blouse set better.

High collars, of course, are very becoming but they are not always in style. If you are wearing a low neck, try adding a fold of cream color or white chiffon, batiste or net beyond the edge of the dress. It will soften the effect. You will also find neck frills or jabots very becoming.

On the other hand, a collarless neckline is severe. If the bones show a little in your neck, it will make the shadows under them seem deeper. If you are making a tailored cloth or silk dress, hunt out the styles with vest fronts. They give you a chance to add the becoming frill or two of net, batiste or lace.

One of the very best styles for the thin woman is a surplice waist.

Always see to it that there is a fullness at the waistline of your skirt.

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