CONTENTS xi
PAGE
No Animus Furandi need be Proved loo
Taking not necessarily for Profit loi
Copying may be Indirect and Unintentional 102
Custom of Trade 102
Fair Use 103
No one can Monopolize a Field of Labour .... 103
No Infringement to take Facts ....... 104
No Infringement to take the General Scheme of another's
Work 105
Every Author must do his own work .105
Work with a Different Object ....... 109
Extract for purpose of Criticism . . . . . .111
Improvement or Addition of New Matter no Excuse . . 112 Dramatization of a Novel . . . . . . . .114
Abridgments 114
Translations . . 116
Licence 118
Abandonment 119
Acquiescence and Delay . . . . . . . . .119
Provision against the Suppression of Books . . . . .119
CHAPTER V
PERFORMING RIGHTS
Sec. I. Nature of Performing Right 120
Sec. 2. Performing Right at Common Law .... 121
Sec. 3. What is a Dramatic Work 123
Sec. 4. What Dramatic Works are Protected, and Duration
of Protection 126
Sec. 5. What is a Musical Composition 130
Sec. 6. What Musical Works are Protected, and Duration
of Protection 130
Sec. 7. Registration of Performing Rights .... 131
Musical Compositions 133
Sec. 8. Assignment of Performing Rights 134
Sec. 9. Infringement of Dramatic Performing Rights . . 135
Public Performance . . 135
Substantial Part 138
Causing to be Represented '139
Knowledge 142
Innocent Agents 142
Licence 142
Sec. 10. Infringement of Musical Performing Rights . . 142
Substantial Part 142
Public Performance ... 143
Causing to be Represented 143
Sec. II. Remedies for Infringement of Dramatic Performing
Rights 144
Sec. 12. Remedies for Infringement of Musical Performing
Rights 145
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