AREGIO AREGIO, PABLO DE, beginning of is lost, but a canvas in Palazzo Giustiniani, 10th century. Spanish school ; painted in Padua, attributed to Tintoretto, may pos- 1506, with Francisco Neapoli, scenes from sibly J>o the original study. Aretiuo is the the life of the Virgin on twelve panels of Pilate in the Knv Homo of Titian, Vicuna the wings of the high altar of Cathedral at Museum. C. fi. C.. Titian, ii. 10H, i. 319 ; Valencia, for which the two were paid 3000 Gal. du PaL Pitti, i. PL 111 ; Burckhardt, ducats. Their manner resembled so much 720 ; Lavice, 77. that of Leonardo da Vinci that they were ARETUSI. See /'ellegrino da Modena. called his pupils. They also painted part ARETUSI, CESARE, born in Modena, of the walls in fresco. St. Catherine, col- second half of 10th century, died there in lection of Don Pedro Pelegner, Madrid. 1012. Bolognese school ; muter unknown, Stirling, i. 97 ; Meyer, Kiinst. Lex., ii. 232 ; but style formed after that of Bagnacavallo. Tilbinger Kunstblatt (1823), 33. Highly successful jK)rtrait painter in the AREGON, Greek painter, of Corinth, manner of Correggio, whose pictures be early period. Strain > says (viii. 3, 12) that copied Ix'tter than any other painter of the his picture of Diana riding upon a griffin time. Worked much in collaboration with was preserved in the Temple of Artemis Giambattista Fiorini, pupil of B.ignacavallo Alphieoiiia, near Olympin. Bruun, ii. 5!)7. and assistant of Zucchero, who was a better ARELLANO, JUAN DE, born at Sautor- designer than Aretusi, but inferior as a col- ca/. in 1014, died in Madrid, Oct. 12, 1G70. ourist. They painted together a chapel in Spanish school ; scholar of Juan de Solis, S. Petrouio, Bologna ; Deposition from the but unsuccessful until thirty-six years old, Cross, Saints Benedict and Francis de Paul, when he began to copy the flower pieces of in S. Benedetto ; Nativity of the Virgin, in Mario del Fiori (Nuzzi), and finally won S. Giovanni in Monte. Malvasia, i. 24!t ; wealth and fame as a painter of flowers, Lanzi, ii. 410, iiL 50 ; Ch. Blanc, ficole bo- fruits, and birds. Six flower pieces in Mad- lognese ; Meyer, Kdnst. Lex., ii. 239 ; do., rid Museum. Decorated the sacristy of the Correggio, 107, 301, 310. church of St. Jerome at Madrid with genii, ARGONAUTS, EXPEDITION OF, pict- flowers, etc. Works in Academia S. Fer- ures. See Cydiax, Miron. ARGUNOFF, IVAN, flourished about middle of 18th century. Russian portrait l )ainter - instructed by foreign masters, enjoyed considerable reputation in St. uando and Museo Nacional, Madrid. Petersburg. His Cleopatra is in the Mos- Stirling, ii. 718; Ch. Blanc, Kcole espag- cow Museum. Meyer, Kflnst. Lex., ii. 247. nole ; Meyer, Kttnst. Lex., ii. 232 ; Madrazo, ARIADNE, Luca Giordano, Dresden Gal- 348. , lery ; canvas, H. 6 fi x 8 ft in., signed. AEELUUS, Roman painter, first century Ariadne, abandoned by Theseus, whose ship B.C. Profaned his art, Pliny says (xxxv. 37 is seen in the distance, sleeping (nude) on [119]), by painting goddesses in the like- the shore of Naxos ; at left, a crowd of Bar- ness of his mistresses. Brunn, ii. 305. chantes and satyrs announce the coming of AEETINO, or D'AREZZO, SPINELLO. Bacchus. Engraved by F. Busan. Gal. See Spindli, Spinello. Roy. de Dresdo, i. PI. 39. ARETINO, PIETRO, portrait, Titian, Pa- } ARIADNE AND BACCHUS. See Itac- lozzo Pitti, Florence ; canvas, H. 3 ft. 2 ! chits. in. x 2 ft. in. Painted in 1545. En-! ARLVS FERNANDEZ, ANTONIO, born graved, reversed, by F. Petrucci and T. Ver in Madrid early part of 17th century. Cruya An earlier portrait by Titian (1527) died there in 1084. Spanish school : pupil 66
