at the Bed of Ferdinand VII. (1843); Women at the Sepulchre, Portraits of Queen Isabella (1845), King Francisco, Duchesses of Alba and Medina-Cœli, and many others; New Song; Cigarette; In her Boudoir; Matinée Musicale; Portrait of Count Raczynski (1850), Raczynski Gallery, Berlin. His brother Luis, pupil of his father, took the grand prize for Rome in 1848, and is especially known through his Burial of St. Cecilia in the Catacombs (1855), Madrid Museum.—Kunstbl. (1855), 215; Larousse, x. 900; Meyer, Conv. Lex., xix. 611; Müller, 347; Passavant, Christl. K. in Spanien, 118; Unsere Zeit (1859), 462.
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MADRAZO, Don RAIMUNDO DE, born
in Rome, July 24,
1841. Genre and
portrait painter, son
and pupil of Federico,
and student in
Paris at the École
des Beaux Arts, and
later of Léon Cogniet.
Medal: 1st class, Paris,
1878; L. of Honour
in 1878. Works:
After Vespers; Andalusian Singer; La
Aventurera; Playing Guitar; The Gypsy;
End of a Masked Ball (1878), Mrs. A. T.
Stewart, New York; The Comic Newspaper,
Fair Masquerader, William Astor, ib.;
Masqueraders, Fête during Carnival, William
H. Vanderbilt, ib.; El Jaleo, Henry
C. Gibson, Philadelphia; Dindon Tendre,
A. J. Drexel, ib.; Pierrette (1878), Interior
of S. Maria della Pace at Rome,
Alexander Brown, ib.; My Model, La Soubrette
(1882); Notturno, The Domino (1883).
His brother, Don Ricardo, has acquired reputation
as a painter in water-colours: Story-Teller
of Algiers, Alexander Brown, Philadelphia;
Venders of Fire-Arms in Morocco
(1879); Riva degli Schiavoni (1882); Study
of a Head (1884).—La Ilustracion (1879),
i. 122; (1880), i. 76, 342; (1882), i. 3, 99,
402; (1884), i. 115, 378; Mag. of Art (1884),
10.
MADRUZZO, CRISTOFORO, Cardinal,
portrait, Titian, Salvadori Collection, Trent;
canvas, figure full-length, life-size. In the
black robes and hat of a prince-bishop.
Painted in 1548. Injured by time and restoration.—Vasari,
ed. Mil., vii. 445; C. &
C., Titian, ii. 186.
MAECHSELKIRCHNER, GABRIEL,
flourished about 1460-80. German school;
history painter who, from 1467, painted,
conjointly with Ulrich Füterer, for Kloster
Tegernsee and Duke Albrecht IV. of Bavaria.
His works are characterized by a
fantastic realism in representing bad or
noble characters with great ugliness or
beauty respectively. Works: Christ bearing
the Cross, Crucifixion, Schleissheim Gallery.—Förster,
Gesch., ii. 252; Sighart, 569.
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MAES, GODFRIED, the younger, born
in Antwerp, Aug. 15, 1649, died there, May
30, 1700. Flemish school; history painter,
son of Godfried the elder (designer and engraver,
died in Antwerp, 1679), pupil of
Peeter van Lint; entered the Antwerp
guild in 1664, became master in 1672, and
dean in 1682. Works: Martyrdom of St.
George (1684), Antwerp Museum; St. Nicholas
(1689), Ghent Museum.—Cat. du Mus.
d'Anvers (1874), 238; Kramm, iv. 1041;
Rooses (Reber), 335; Gaz. des B. Arts
(1861), xi. 347; Van den Branden, 955.
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MAES (Maas), NICOLAAS, born at Dordrecht
in 1632,
died in Amsterdam
in December,
1693. Dutch
school; genre and
portrait painter,
pupil of Rembrandt,
in whose
manner he at first
painted warmly
coloured portraits
of a reddish tint,
but gradually came under influence of Flem-
