Page:Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/192

• ish masters at Antwerp, where he was intimate

with Jordaens, and executed his much prized genre pictures, treating domestic scenes, and seldom containing more than one or two figures. Settled in Amsterdam in 1678. Painted many portraits, especially of children. Works: Cradle, Dutch Household, Idle Cook, National Gallery, London; Girl Peeping, Buckingham Palace; Girl threading Needle, Bridgewater Gallery; Family Group, Stafford House; Woman with Three Children, Mr. Munro; Woman Asleep by a Cradle, Mr. Baring; Servant on the Stair, Sir Richard Wallace, Bart.; The Listener, Lacemaker at Work, Mr. Labouchere, Stoke, near Windsor Castle; Saying Grace (1648), Louvre, Paris; Portraits of Willem Nieuwport, Dutch Ambassador at London, and his Wife (1672), Portraits of Lady and Gentleman, Rotterdam Museum; The Dreamer, Old Woman Spinning (2), Portrait of Marten Meulenaer (1675), three other portraits, Museum, Amsterdam; The Toad, Six Collection, ib.; Milkmaid, Van Loon Collection, ib.; Old Woman saying Grace, Felix Meritis Institution, ib.; Portrait of Young Man (1660), Rotterdam Museum; Old Woman Reading, Male Portrait, Brussels Museum; Portrait of Heinsius (1656), Arenberg Gallery, Brussels; Male Portrait, Diana and Nymphs (1650), Hague Museum; A Scholar, Brunswick Gallery; Slaying Pigs, A Bishop Reading, Berlin Museum; Kitchen Interior, Male Portrait (1676), Dresden Gallery; Woman Nursing and Three Girls, Old Woman Asleep, Hermitage, St. Petersburg; Portraits of Man and Wife, do. of two Children in a Park, Schwerin Gallery; Portrait of Rembrandt, do. of a Burgomaster, Turin Gallery; Girl Praying (erroneously under Caspar Netscher), Uffizi, Florence; Duchess of Mazarin, New York Museum; Portraits in Munich (2), Oldenburg, Schleissheim, and Copenhagen (2) Galleries; do., Rothan Gallery, Paris.—Allgem. d. Biog., xx. 47; Ch. Blanc, École hollandaise; Burger, Musées, i. 53, 221; ii. 23, 184; Immer zeel, ii. 191; Kramm, iv. 1032; Kugler (Crowe), ii. 384; Riegel, Beiträge, ii. 281; De Stuers, 72; Quellenschriften, xiv. 267; Gaz. des B. Arts (1872), vi. 303; (1873), vii. 282.

MAES-CANINI, JAN BAPTIST LODEWYCK, born in Ghent, Sept. 30, 1794, died in Rome, April, 1856. History and portrait painter, pupil of Ghent Academy under his father, received numerous prizes and medals from the Art Unions in the Netherlands, and in 1821 went to Rome. Member of Ghent Academy. Works: Vaccination Room (1819); Hagar and Ishmael, Alexander and Diogenes (1821); Infant Christ and St. Ann (1826); Good Samaritan (1825), Amsterdam Museum; Apollo and the Muses, Rotterdam Museum; Roman Girl at a Shrine (1832), New Pinakothek, Munich; Roman Woman and Child Praying (1833), Königsberg Museum; do. (1839), National Gallery, Berlin; Street Scene in Rome (1833), Fruit-seller with Girl (1849), Roman Woman (1855), Kunsthalle, Hamburg; Mary Magdalen (1841), Villa Rosenstein near Stuttgart, Juno, Ghent Museum.—Cotta's Kunstbl. (1836), 18; D. Kunstbl. (1857), 66; Immerzeel, ii. 195; Kramm, iv. 1041.

MAFFEI, GUIDO VON, born in Munich, July 1, 1838. Animal painter, pupil of Munich Academy under Otto Gebler. Medals: Vienna, 1873; Munich, 1883. Works: Contested Booty (1869); Stag stirred up by Boars (1873); Wounded Fox attacked by Badger Dogs (1877); Buck pursued by Dogs (1879), Dresden Gallery; Partridges and Badger Dog, Well Hit! Tid-Bit, Badger attacked by Dogs (1882), New Pinakothek, Munich; Wounded and giving Tongue, Reynard Fugitive (1883).—Allgem. K. Chr., ix. 507; Kunst für Alle, i.; Müller, 347; Kunst-Chronik, xvii. 321; xviii. 497; Schorer's Familienblatt, vi. 724.

MAGAUD, DOMINIQUE ANTOINE, born in Marseilles, Aug. 4, 1817. Genre,