Prison; Return of Rubens from his Embassy to Spain; Festival of Madonna del Arco; Calvary; Virgin surrounded by Angels; Finding of Moses; Michelangelo's Death on his Way from Malta to Rome; Death of Lieutenant d'Atterninck (after Walter Scott).—Immerzeel, ii. 196; Kramm, iv. 1048; vii. 105.
MALI, CHRISTIAN FRIEDRICH, born
at Broekhuizen, near Utrecht, in 1832.
Landscape and animal painter, studied in
Munich; after visiting North Italy, went in
1865 to Düsseldorf, and then to Paris, where
he studied the works of Troyon. Gold
medal, London, 1876. Works: Partenkirchen;
View in Suabian Alps; Kochem
on the Moselle; Lake of Hallstadt; View
in Esslingen; Shepherd's Morning Greeting,
Stuttgart Museum; View in Verona
(1866), New Pinakothek, Munich; Cattle
Show in the Rain, Sheep in approaching
Storm; Table d'Hôte in the Stable; Return
from the Alp; Sheep in Spring (1876);
On the Heights, Midday Rest, Village Life
(1879); Cattle Fair in Winter (1879); View
of Naples (1882); Return of Sheep at Moon-*rise,
Spring (1883); St. Johann in Tyrol
(1884); Morning near Amalfi (Jubilee Exhibition,
Berlin, 1886).—Meyer, Conv. Lex.,
xvii. 566; Müller, 350.
MALINO, LODOVICO. See Mazzolino,
Lodovico.
MALMSTRÖM, JOHAN AUGUST, born
at Vestra Ny, East Gothland, Aug. 14, 1829.
History and genre painter, pupil of Stockholm
Academy under N. Anderson, then
studied in Düsseldorf, and in Paris under
Couture; visited Italy in 1860, then lived
in Paris until 1864, when he returned home,
and in 1867 became professor at Stockholm
Academy. Illustrated Tegnér's Frithjofs
Saga, and similar works. Works: King
Heimir and Aslaug; Ragnar's Sons receiving
News of their Father's Death; Vikings
burying their Dead (together with Gude);
Ingeborg receiving News of Hjalmar's Death;
Signe burning Herself; Expedition of Swedes
to Norway; Elf Games; Bråvalla Battle;
First Ride; Children's Play; The Riders;
Journey to Market.—Meyer, Conv. Lex.,
xxi. 611; Müller, 350.
MALOMBRA, PIETRO, born in Venice
in 1556, died there in 1618. Venetian
school; pupil of Salviati, but imitated manner
of Palma Giovine. Painted decorative
pieces, but was very successful also in portraits
and cabinet pictures. A large picture
of the College of Venice, Madrid Museum,
is remarkable for the many portraits
which it contains.—Lanzi, ii. 242; Ch.
Blanc, École vénitienne.
MALOSSO, IL. See Trotti, Giovanni
Battista.
MALTA, GRAND MASTER OF, portrait,
Michelangelo da Caravaggio, Louvre;
canvas, H. 6 ft. 5 in. × 4 ft. 5 in. Alof de
Vignacourt, Grand Master in 1601, standing,
in armour, with baton in hand; near
him, a page bearing his casque. Bought by
Louis XIV. in 1670 from Hoursel Collection.
Engraved by J. N. de Larmessin.—Villot,
Cat. Louvre; Filhol, xi. Pl. 35; Landon,
Musée, iv. Pl. 15; Cab. Crozat, ii. Pl. 92.
MALTA, KNIGHT OF, Titian, Madrid
Museum; canvas, H. 4 ft. × 3 ft. 4 in. A
bearded man, in black-silk dress, standing
at a table. A fine example of Titian's middle
time. Collection of Charles II. Saved
from the fire of 1734.—C. & C., Titian, ii.
420.
MALVEL (Melluel), JEAN, died in 1415.
Flemish school; from 1397 court-painter
to Philip the Bold of Burgundy, for whom
he executed several altarpieces in 1402-7;
engaged in decorating the monastery of the
Carthusians of Dijon. In June, 1406, reappointed
painter to Jean Sans-Peur, of whom
he painted a portrait sent in 1415 to Portugal.—C.
& C., Flemish Painters, 17; Kugler
(Crowe), i. 37.
MALVOLIO AND THE COUNTESS,
Daniel Maclise, National Gallery, London;
canvas, H. 2 ft. 5 in. × 4 ft. 1 in. Scene
from Twelfth Night: Olivia's garden; the
Countess, seated, her maid standing behind
her; Malvolio approaching, smiling fantas-
