- tically. Engraved by R. Staines. Royal
Academy, 1840. Vernon Collection.—Waagen, Treasures, i. 373; Cat. Nat. Gal.
MAN, CORNELIS DE, born at Delft in
1621, died there in 1706. Dutch school;
portrait and interior painter; went early to
Italy, and for nine years studied in Rome,
Florence, and Venice; made his reputation
with a portrait of the Regents of the Corporation
of Surgeons at Delft, where he entered
the guild in 1642, and was its dean in
1661-63, and repeatedly afterwards, last in
1696. Works: Peasant Wedding, Hague
Museum; Rustic Interior (1687), Rotterdam
Museum; Interior of Gothic Church,
Darmstadt Museum.—Immerzeel, ii. 197;
Kramm, iv. 1049.
MAN WITH FALCON, Rembrandt, Grosvenor
House; wood, H 3 ft. 8 in. × 3 ft. 2
in.; signed, dated 1643. A young man,
seen to knees, with light hair, holding a falcon
on his wrist. His wife (wood, same size),
in a rich dress and ornaments, with a fan
in her hand. The two withdrawn at Grand-*pré
sale at 40,000 francs.—Waagen, Treasures,
ii. 166.
MAN WITH A GLOVE. See Homme
au Gant.
MAN WITH THE HOE (L'homme à la
houe), Jean François Millet, lately in Defoer
Collection, Paris. A sturdy peasant, wearied
with toil, has stopped to rest, and stands,
his body half bent over, leaning upon the
short clumsy hoe used by labourers in
France. Painted in 1862; Salon, 1863;
sold to M. Crabbe, Brussels; Defoer
bought it for 175,000 francs; at his sale,
Paris (1886), 57,100 francs. Etched by
Bracquemond.—Sensier, 236.
MAN IN THE LEATHER BELT
(L'homme à la ceinture de cuir), Gustave
Courbet, Luxembourg Museum, Paris; canvas,
H. 3 ft. 3 in. × 2 ft. 7 in. Portrait of
the painter in his youth. Half-length, in a
blouse with a broad leathern belt, into which
is thrust the thumb of his left hand; his
right elbow leans upon a table, and his face
is supported on the back of his hand. Sale
of Courbet's works, Paris (1881), 26,000
francs, bought by State.
MAN WITH THE PINKS (Mann mit
den Nelken), Jan van Eyck, Berlin Museum;
wood, H. 1 ft. 4 in. × 1 ft. Bust portrait,
three-quarters life-size, in gray doublet lined
with fur and high fur cap; in right hand,
two red pinks, and in left, which is raised,
two white ones. From Suermondt Collection,
1874.
MAN PROPOSES—GOD DISPOSES,
Sir Edwin Landseer, Holloway Institute,
Egham, near London; canvas. Suggested
by the finding of the relics of Sir John
Franklin. In an Arctic landscape a hut
with relics strewn around, a large white
bear with a bone in its mouth, and another
sprawled on the ice dragging part of the
Union Jack from beneath a spar. Painted
in 1864; belonged to E. V. Coleman. Stoke
Park; sold at his sale (1881) to Thomas
Holloway for £6,615.—Stephens, 105; Art
Journal (London, 1882), 317.
MAN OF SORROWS, Andrea Mantegna,
Copenhagen Museum; wood, tempera, H. 1
ft. 6-3/4 in. × 2 ft. 6-1/2 in.; signed. Christ enthroned,
with two angels behind holding
the corners of his winding-sheet; to the
left, Jerusalem at sunset; to the right, Golgotha.
Painted about 1489; formerly in
collection of Cardinal Valenti, Secretary of
State under Benedict XIV.—C. & C., N.
Italy, i. 403.
MANCINELLI, GIUSEPPE, born at
Naples in 1813, died at Palazzuolo di Castrocielo,
Province Siracusa, Italy, May 24,
1875. History painter, pupil of Naples
Academy, then studied in Rome. Although
of no extraordinary talent, he did much towards
the promotion of art at Naples under
contrary circumstances; became professor
at Naples Academy in 1850, and later its
president. Member of several academies.
Works: St. Charles Borromeo healing the
Plague-stricken, S. Carlo all' Arena, Naples;
Curtain for the Teatro San Carlo, ib.; Madonna
degli Angeli; Christ in the Garden;
St. Clara taking the Robe of St Francis of
