First Sight of Eve (1813), Clytie (1814), and Joshua commanding the Sun to stand still (1816), the last of which gained him a premium of £100 at the British Institution, and the appointment of historical landscape painter to the Princess Charlotte and Prince Leopold. His designs for Paradise Lost, for which he received £2,000, show great poetic grandeur. He painted many clever water-colour views of the valley of the Thames and other English rivers. Works: Fall of Babylon (1819); Macbeth (1820); Belshazzar's Feast (1821); Destruction of Pompeii (1822), National Gallery, London; Seventh Plague, Paphian Bower (1823); Creation (1824); Deluge (1825); Fall of Nineveh (1828); Death of Moses (1838); Last Man (1839); Eve of the Deluge, Assuaging of the Waters (1840); Celestial City, Pandemonium (1841); Destruction of Sodom and Gomorrah (1852).—Redgrave; Ch. Blanc, École anglaise; Ottley; Cat. Nat. Gal.
MARTIN, NABOR, born in Ghent in
1404, died about 1453. Flemish school;
free of the guild of St. Luke in 1437.
Works: Nativity, with portraits of Philip
the Good, his Wife, and Child (1448), Grande
Boucherie, Ghent; Adoration of Infant
Christ, fresco, ib.—C. & C., Flemish Painters,
242; Kugler (Crowe), i. 90.
MARTIN, PAUL, born at Kaiserslautern,
Bavaria, Aug. 17, 1821. History and genre
painter, pupil of Munich Academy and of
Josef Bernhardt; studied in Paris (1846)
under Gleyre, and settled in Munich.
Works: Tilly's Entry into Magdeburg
(1857); Cromwell in Meditation before the
Crown of England (1858); Garibaldi (1860);
Loreley (1867); Boy playing with Dog,
New Pinakothek, Munich; Wood-Nymph;
Munich Shoemaker's Apprentices; Scene
from Death of Wallenstein (1883); Among
Flowers (Jubilee Exhibition, Berlin, 1886).
Frescos: Count Arco's Sacrifice in Tyrol
in 1703, Palatine Philip defending Vienna
against Soliman in 1529, Elector Otto Heinrich
building Wing of Heidelberg Castle in
1557, National Museum, Munich.—Müller,
356; Illustr. Zeitg. (1878), ii. 484; (1882),
ii. 225.
MARTIN, PIERRE DENIS, born about
1673, died in Paris in 1742. French school;
landscape and battle painter, pupil of Parrocel
and of Van der Meulen; painter in
ordinary to the king and to the czarina.
Works: Louis XV. at a Stag-Hunt (1730),
Louvre, Paris; Cavalcade of Louis XV. after
the Coronation (1724), View of Versailles
(1722), do. of Trianon (2), do. of Châteaux
de Marly (2), Saint-Hubert, Meudon, Madrid,
Fontainebleau (1722), Chambord, Bosquets
de Versailles (2), Bassin d'Apollon and
Canal de Versailles, Engine and Aqueduct
of Marly, Versailles Museum; View of St.
Cloud, Nantes Museum.—Bellier, ii. 41.
 | An image should appear at this position in the text. To use the entire page scan as a placeholder, edit this page and replace "{{missing image}}" with "{{raw image|Cyclopedia of painters and paintings (IA cyclopediaofpain03cham).pdf/232}}". Otherwise, if you are able to provide the image then please do so. For guidance, see Wikisource:Image guidelines and Help:Adding images. |  |
St Martin dividing his Mantle, Anton van Dyck, Saventhem.
MARTIN, ST., DIVIDING HIS MANTLE, Anton van Dyck, church at Saventhem, near Brussels; wood, H. about 5 ft. 9 in. × 5 ft. 3 in. Nearly the same in composition as the picture by Rubens. The woman and children are omitted, St. Martin is a portrait of Van Dyck himself, and the horse is the one given him by Rubens. Painted by Van Dyck for a young lady at Saventhem, who presented it to the parish church. Taken
